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Title: The Knight of the Burning Pestle
Author: Beaumont, Francis (1584-1616)
Author: Fletcher, John (1579-1625)
Editor: Moorman, Frederic William (1872-1919)
Date of first publication: 1898 [this edition]
   1613 [original play]
Edition used as base for this ebook:
   London: J. M. Dent, 1913
   [The Temple Dramatists]
Date first posted: 13 January 2011
Date last updated: 13 January 2011
Project Gutenberg Canada ebook #698

This ebook was produced by Delphine Lettau
& the Online Distributed Proofreading Canada Team
at http://www.pgdpcanada.net






 _THE TEMPLE DRAMATISTS_

 THE KNIGHT OF THE BURNING
 PESTLE




 [Illustration: _THE BANKSIDE & ITS THEATRES.
 From the view of London by Hollar, circa 1620._]

  _1. The Swan Theatre._   _5. Winchester House._
  _2. The Bear Gardens._   _6. The Temple._
  _3. The Hope Theatre._   _7. Old St. Paul's._
  _4. The Globe Theatre._  _8. The Guildhall._




 THE KNIGHT
 OF THE
 BURNING PESTLE


 _A Play written by_
 FRANCIS BEAUMONT
 _and_
 JOHN FLETCHER


 _Edited with Introduction, Notes
 and Glossary by_
 F. W. MOORMAN


 J. M. DENT & SONS LTD.
 ALDINE HOUSE: LONDON

 1913


 _First Edition of this Issue of_
 THE KNIGHT OF THE BURNING PESTLE,
 _printed_ 1898. _Reprinted_ 1909, 1913




Introduction.


LITERARY HISTORY. The first edition of _The Knight of the Burning
Pestle_ appeared in quarto form in 1613. The title-page gives no clue as
to authorship, but states merely that the play, entitled "The famous
Historie of the Knight of the Burning Pestle," was "printed for Walter
Burre, and is to be sold at the signe of the Crane in Paules Church-yard."
This first edition, however, contains the dedication of the play to
Robert Keysar, and thus throws some light upon the date of composition.

The play seems not to have been a success on the stage at its first
appearance; perhaps its playful satire may have given offence to the
London citizen. A revival, however, took place in 1635, and the play was
acted at the court of Queen Henrietta. In Sir Henry Herbert's MSS. we
read, "The 28 Feb. [1636] The Knight of the Burning Pestle playd by the
Q[een's] men at St James."

Two quarto editions appeared in 1635, and from their title-pages we
learn that it was "acted by her Majesties Servants at the Private House
in Drury Lane. The authors' names were now given:

             { Francis Beaumont }
  Written by {        and       } Gent."
             {   John Fletcher  }

The appearance of two editions in the same year suggests that the play
found favour on its revival. This, as Weber pointed out, is further
attested by a passage in Richard Brome's _Sparagus Garden_, which was
first acted in 1635.

    "_Rebecca._ I long to see a play, and above all playes, The Knight
    of the Burning---- What dee' call't?

    _Monylacke._ The Knight of the Burning Pestle.

    _Rebecca._ Pestle, is it? I thought of another thing; but I would
    faine see it. They say there's a grocer's boy kills a Gyant in it,
    and another little boy that does a Citizen's wife the
    daintielist--but I would faine see their best actor doe me: I
    would so put him too't; they should find another thing in handling
    of mee, I warrant 'em."


DATE OF COMPOSITION. The letter of the publisher, Walter Burre, to
Robert Keysar, which precedes the edition of 1613, and in which Burre,
speaking of the play, declares, "I have fostered it privately in my
bosom these two years," points to the year 1611 as the latest possible
time at which it could have been written, and suggests the year 1610-11
as the probable date of composition. We learn from the dedication to
Robert Keysar that the play was produced in eight days, a fact which in
itself points to its double authorship, and discountenances the idea
that it is the work of Beaumont alone. Mr Macaulay's arguments in favour
of its having been written as a protest against the poor reception
accorded to the performance of Fletcher's _Faithful Shepherdess_ are
inconclusive. Still more so are those of Mr Boyle, who tries to show
that the play was written in 1607. (_Englische Studien_, vol. xiii.)


SOURCES. There can be little doubt that _The Knight of the Burning
Pestle_ owes direct literary allegiance to _Don Quixote_. The spirit
of Cervantes' romance is seen in the conception of Ralph, and follows
him through all his adventures. More especially is the influence of
Cervantes to be traced in Ralph's overthrow of the Surgeon-barber in
III. iv., which was in all probability suggested by the victory of Don
Quixote over the barber with the enchanted helmet in the first part of
_Don Quixote_. In like manner, Ralph's arrival at, and conduct in, the
Bell Inn, which he takes for a castle, recalls the adventures of Don
Quixote in the inn at the outset of his chivalrous career. May we
not also detect in Susan, the Cobbler's daughter of Milk Street, a
reminiscence of the immortal Donna Dulcinea del Toboso, so skilful in
salting hams? Further, in the Spanish romance and the English play
we have the same playful satire, directed against the high-flown and
extravagant books of chivalric adventure. _Don Quixote_, the first part
of which was first published in 1605, was not translated into English
till Shelton's version appeared in 1612, but this in no wise precludes
the possibility of Beaumont and Fletcher's acquaintance with the romance.
The dramas of Beaumont and Fletcher are specially characterised by their
frequent borrowings from the Spanish drama and the Spanish romance, and
point clearly to the fact, that at least one of the two dramatists was
well acquainted with the Spanish language.

The title, _The Knight of the Burning Pestle_, seems to have been taken
from that of a play which is mentioned in the list of those acted at the
Court revels in 1579: "_The Historie of the Knight in the Burning Rock_,
shewen at Whitehall on Shrove Sondaie at night, enacted by the Earle of
Warwick's Servaunts." Of this play the title alone has come down to our
times, but it is extremely doubtful whether Beaumont and Fletcher
borrowed from it anything else.

The device of introducing the comments of the spectators on the
development of the play is to be found in Ben Jonson's _Every Man out of
his Humour_, though here the remarks made serve to express the author's
own ideas of dramatic criticism, and no satiric humour is intended. In
the character of Puntarvolo in the same work of Jonson's, we see an
early sketch of the fantastic knight-errant, and a forerunner not only
of the prentice Ralph, but of the Knight of La Mancha as well. Of the
class of plays dealing with extravagant adventure which _The Knight
of the Burning Pestle_ burlesques, it is Heywood's _Four Prentices of
London_ which Beaumont and Fletcher single out for the special butt of
their ridicule. It deals with the impossible adventures of the four
apprentices, who join Robert Duke of Normandy on his crusade, and who
are wrecked at sea and cast upon different shores. One of the four
brothers, Eustace, is a grocer's apprentice, and declares on setting out
on his adventurous career:

  "For my Trades sake, if good success I have,
   The Grocer's Arms shall in my ensign wave."

The adventures of Ralph at the Court of Moldavia are a burlesque upon
the very similar adventures of Eustace's brother Guy at the court of
the King of France. Plays of this sort must have won favour with the
citizens of London, and above all with their apprentices, so that the
satire of _The Knight of the Burning Pestle_ is directed against the
public that favoured such plays, as well as against the dramatists
that wrote them. Here and there the satire seems to be levelled at
Shakespeare himself. Thus Ralph's quotation in the Induction from
Hotspur's well-known speech in 1 _Henry IV._, Act I. Sc. iii., is of
this nature, and the authors seem to have overlooked the fact that
Shakespeare himself intended this speech to be mere bluster. Further,
Humphrey's words in Act II. Sc. i., as Prof. Köppel points out,

  "Good-night, twenty good-nights, and twenty more,
   And twenty more good-nights--that makes three score";

are very much like a parody on the words of Romeo:

  "Good-night, good-night! parting is such sweet sorrow,
   That I shall say good-night till it be morrow."
                                    _Rom. and Jul._, II. ii.


AUTHORSHIP. The problem of determining exactly what share must be
allotted to Beaumont and Fletcher respectively in the composition of
the dramas which go under their joint names is still one of peculiar
difficulty, in spite of the fact that so much of Fletcher's work was
undertaken after Beaumont had ceased to write. Most critics agree in
assigning to Beaumont the chief share in _The Knight of the Burning
Pestle_. As Mr Macaulay points out, the burlesque element, which plays
so important a part in the play, is wholly wanting in the works of
Fletcher, but of frequent occurrence in _The Woman Hater_ (1607), and
also found in _The Triumph of Honour_, a play which tradition has
allotted to Beaumont alone. Moreover, the sparkling humour with which
our play abounds seems to have been as essentially the gift of Beaumont
as the wit of repartee was characteristic of Fletcher. The usual verse
tests--regularity of the verse, comparative rarity of double-endings,
and frequent use of prose--all point, further, to the workmanship of
Beaumont. But while we allow Beaumont the chief part in the work, it is
certainly rash to deny altogether, as Oliphant and Macaulay have done,
Fletcher's collaboration, till we know exactly in what way the two
dramatists combined in the production of a play. The theme of the
romantic comedy setting forth the love adventures of Jasper and Luce
points to Fletcher's share in the conception of the plot, if not in
its execution. The fact, too, that the play was written in eight days
suggests, as was pointed out above, joint authorship. The character of
the laughter-loving and laughter-working Merrythought, who has very
little in common with the Matthew Merrygreek of Udall's _Ralph Roister
Doister_, is almost certainly the creation of Beaumont.


ITS PLACE IN THE ELIZABETHAN DRAMA. In its happy blending of pure
comedy with the mock-heroic and the burlesque, _The Knight of the
Burning Pestle_ holds a unique place in the field of the English drama,
though in the combination of romance, fairy-tale, and burlesque of
the _Midsummer Night's Dream_ we may trace a possible forerunner. Our
English burlesque literature, though it starts with Chaucer's _Rime of
Sir Thopas_, has been of slow and uncertain growth, and has flourished
best in our own nineteenth century. Beaumont and Fletcher's interweaving
of burlesque with pure comedy finds a model too in _Don Quixote_, where
the mock-heroic adventures of the knight are broken in upon by episodes
of pure romance. The adventures of Ralph, however, are, up to a certain
point, not merely episodes imbedded in the central plot and serving as
a foil to the main scenes, but are actually interwoven with the main
thread of the play. With the adventure in the barber's shop, however,
the connection becomes lost, and the fortunes of the two heroes, Jasper
and Ralph, become divergent. In the trenchant, though genial satire of
the play we see a double-edged sword at work, dealing blows at one
moment at the extravagant romantic plays of Heywood and his fellows; at
another, at the tyranny exercised upon playwrights by the dunce-critics
of the London shops. The literature of the period is full of references
to the habit adopted by court-gallants of taking up seats upon the stage
itself at the time of a performance, and of interrupting the course of
the play by untimely remarks. From the drama before us it would seem
that the wealthy London citizen had also begun to claim this privilege
(which might be procured for an extra sixpence), and threatened to exert
a tyranny over the stage-representations of the time. It was with the
purpose of checking this abuse that the authors now held up to ridicule
the Citizen and his Wife. Their total lack of appreciation, their
ill-judged sympathies and grotesque demands become in turn the object
of scathing satire, and though from references in the Prologue to the
printed editions of 1635 it would seem that the London citizens resented
this satire, yet it doubtless had a salutary effect.

In the use of satire, Beaumont--if we allow him to be sole author of
these mock-heroic scenes--reminds us of Cervantes rather than of the
author of _Hudibras_. Piercing and trenchant as it is, Beaumont's satire
is genial and kindly, the outcome of good humour, and not of bitterness
of soul.

But our interest is not wholly in the satire of the play; the romantic
parts are admirably constructed, giving us a plot, which in mastery
of execution challenges Ben Jonson's best, while the character of
Merrythought, with his blithe, careless laughter, gives to the play all
the joyousness and light-heartedness of youth.

The influence of _The Knight of the Burning Pestle_ is seen two
generations later in Elkanah Settle's _City Ramble_, _or a Play-house
Wedding_. The plot is closely modelled on the earlier work, and we see
the same interruptions on the part of the Citizen and his Wife. The
first two speeches of Settle's two characters, Don Garcia and Carlo
his apprentice, are borrowed word for word from the opening speeches
of Venturewell and Jasper.

In Kirkstall's farce, _The Encounter_ (1672), we see Ralph's adventure
with the surgeon-barber directly imitated.


BIBLIOGRAPHY. The text of this edition of _The Knight of the Burning
Pestle_ follows, with one or two deviations, that of Dyce's scholarly
and painstaking edition of Beaumont and Fletcher's works, 1843. I am
also very largely indebted to Dyce for the notes. Mention may also be
made here of the following works and articles which offer criticism of
the play:

   G. C. Macaulay: _Francis Beaumont, A Critical Study_, 1883.

   E. Köppel: _Quellen-Studien zu den Dramen Ben Jonson's, John
   Marston's, und Beaumont's und Fletcher's_, 1895.

   R. Boyle: Articles in the _Englische Studien_, vols. v.-x., and xiii.

   B. Leonhardt: Article in _Englische Studien_, vol. xii.




    By sitting on the stage you have a signd patent to engrosse the
    whole commodity of Censure; may lawfully presume to be a Girder;
    and stand at the helme to steere the passage of _scaenes_; yet no
    man shall once offer to hinder you from obtaining the title of an
    insolent over-weening Coxcombe.... If you know not ye author, you
    may raile against him, and peradventure so behave your selfe, that
    you may enforce the author to know you.

                                     DEKKER: THE GULL'S HORN-BOOK,
                                                 1609.




THE KNIGHT OF THE BURNING PESTLE




TO HIS MANY WAYS ENDEARED
FRIEND, MASTER ROBERT KEYSAR.


SIR,

This unfortunate child, who, in eight days (as lately I have learned)
was begot and born, soon after was by his parents (perhaps because he
was so unlike his brethren) exposed to the wide world, who, for want of
judgment, or not understanding the privy mark of irony about it (which
shewed it was no offspring of any vulgar brain), utterly rejected it; so
that, for want of acceptance, it was even ready to give up the ghost,
and was in danger to have been smothered in perpetual oblivion, if you
(out of your direct antipathy to ingratitude), had not been moved both
to relieve and cherish it: wherein I must needs commend both your
judgment, understanding, and singular love to good wits. You afterwards
sent it to me, yet being an infant and somewhat ragged: I have fostered
it privately in my bosom these two years; and now, to shew my love,
return it to you, clad in good lasting clothes, which scarce memory
will wear out, and able to speak for itself; and withal, as it telleth
me, desirous to try his fortune in the world, where, if yet it be
welcome, father, foster-father, nurse, and child all have their desired
end. If it be slighted or traduced, it hopes his father will beget him
a younger brother, who shall revenge his quarrel, and challenge the
world either of fond and merely literal interpretation or illiterate
misprision. Perhaps it will be thought to be of the race of Don Quixote;
we both may confidently swear it his elder above a year; and therefore
may (by virtue of his birthright) challenge the wall of him. I doubt not
but they will meet in their adventures, and I hope the breaking of one
staff will make them friends; and perhaps they will combine themselves,
and travel through the world to seek their adventures. So I commit him
to his good fortune, and myself to your love. Your assured friend,

                                                         W. B[URRE].




TO THE READERS OF THIS COMEDY.


GENTLEMEN,

The world is so nice in these our times, that for apparel there is
no fashion; for music (which is a rare art, though now slighted) no
instrument; for diet, none but the French kickshaws that are delicate;
and for plays, no invention but that which now runneth an invective way,
touching some particular persons, or else it is contemned before it is
thoroughly understood. This is all that I have to say: that the author
had no intent to wrong any one in this comedy; but, as a merry passage,
here and there interlaced it with delight, which he hopes will please
all, and be hurtful to none.




PROLOGUE.


Where the bee can suck no honey, she leaves her sting behind; and where
the bear cannot find origanum to heal his grief, he blasteth all other
leaves with his breath. We fear it is like to fare so with us; that,
seeing you cannot draw from our labours sweet content, you leave behind
you a sour mislike, and with open reproach blame our good meaning,
because you cannot reap the wonted mirth. Our intent was at this time to
move inward delight, not outward lightness; and to breed (if it might
be) soft smiling, not loud laughing; knowing it, to the wise, to be a
great pleasure to hear counsel mixed with wit, as to the foolish, to
have sport mingled with rudeness. They were banished the theatre of
Athens, and from Rome hissed, that brought parasites on the stage with
apish actions, or fools with uncivil habits, or courtezans with immodest
words. We have endeavoured to be as far from unseemly speeches, to make
your ears glow, as we hope you will be free from unkind reports, or
mistaking the authors' intention, (who never aimed at any one particular
in this play,) to make our cheeks blush. And thus I leave it, and thee
to thine own censure, to like or dislike.--VALE.




DRAMATIS PERSONÆ

  SPEAKER OF THE PROLOGUE.
  A CITIZEN.
  His WIFE.
  RALPH, his Apprentice.
  Boys.

  VENTUREWELL, a Merchant.
  HUMPHREY.
  MERRYTHOUGHT.
  JASPER,  } His Sons.
  MICHAEL, }
  TIM,     } Apprentices.
  GEORGE,  }
  Host.
  Tapster.
  Barber.
  Three Men, supposed captives.
  Sergeant.
  WILLIAM HAMMERTON.
  GEORGE GREENGOOSE.
  Soldiers, and Attendants.

  LUCE, Daughter of VENTUREWELL.
  MISTRESS MERRYTHOUGHT.
  Woman, supposed a captive.
  POMPIONA, Daughter of the King of Moldavia.

  SCENE: _London and the neighbouring Country, excepting
  Act IV. Scene ii., where it is in Moldavia._




The Knight of the Burning Pestle.




Induction.


_Several Gentlemen sitting on Stools upon the Stage. The Citizen,
his Wife, and Ralph sitting below among the audience._

    _Enter Speaker of the Prologue._


_S. of Prol._ "From all that's near the court, from all that's great,
Within the compass of the city-walls,
We now have brought our scene----"

    _Citizen leaps on the Stage._

_Cit._ Hold your peace, goodman boy!

_S. of Prol._ What do you mean, sir?

_Cit._ That you have no good meaning: this seven
years there hath been plays at this house, I
have observed it, you have still girds at citizens;
and now you call your play "The London
Merchant." Down with your title, boy!                                 10
down with your title!

_S. of Prol._ Are you a member of the noble city?

_Cit._ I am.

_S. of Prol._ And a freeman?

_Cit._ Yea, and a grocer.

_S. of Prol._ So, grocer, then, by your sweet favour,
we intend no abuse to the city.

_Cit._ No, sir! yes, sir: if you were not resolved to
play the Jacks, what need you study for new
subjects, purposely to abuse your betters? why                        20
could not you be contented, as well as others,
with "The legend of Whittington," or "The
Life and Death of Sir Thomas Gresham, with
the building of the Royal Exchange," or "The
story of Queen Eleanor, with the rearing of
London Bridge upon woolsacks?"

_S. of Prol._ You seem to be an understanding man:
what would you have us do, sir?

_Cit._ Why, present something notably in honour of
the commons of the city.                                              30

_S. of Prol._ Why, what do you say to "The Life
and Death of fat Drake, or the Repairing of
Fleet-privies?"

_Cit._ I do not like that; but I will have a citizen,
and he shall be of my own trade.

_S. of Prol._ Oh, you should have told us your mind
a month since; our play is ready to begin
now.

_Cit._ 'Tis all one for that; I will have a grocer, and
he shall do admirable things.                                         40

_S. of Prol._ What will you have him do?

_Cit._ Marry, I will have him----

_Wife._ [_below._] Husband, husband!

_Ralph._ [_below._] Peace, mistress.

_Wife._ [_below._] Hold thy peace, Ralph; I know
what I do, I warrant ye.--Husband, husband!

_Cit._ What sayest thou, cony?

_Wife._ [_below._] Let him kill a lion with a pestle,
husband! let him kill a lion with a pestle!

_Cit._ So he shall.--I'll have him kill a lion with a                 50
pestle.

_Wife._ [_below._] Husband! shall I come up, husband?

_Cit._ Ay, cony.--Ralph, help your mistress this
way.--Pray, gentlemen, make her a little room.
--I pray you, sir, lend me your hand to help
up my wife: I thank you, sir.--So.
                              [_Wife comes on the Stage._

_Wife._ By your leave, gentlemen all; I'm something
troublesome: I'm a stranger here; I was
ne'er at one of these plays, as they say, before;
but I should have seen "Jane Shore" once;                             60
and my husband hath promised me, any time
this twelvemonth, to carry me to "The Bold
Beauchamps," but in truth he did not. I
pray you, bear with me.

_Cit._ Boy, let my wife and I have a couple of stools
and then begin; and let the grocer do rare
things.                            [_Stools are brought._

_S. of Prol._ But, sir, we have never a boy to play
him: every one hath a part already.

_Wife._ Husband, husband, for God's sake, let Ralph                   70
play him! beshrew me, if I do not think he
will go beyond them all.

_Cit._ Well remembered, wife.--Come up, Ralph.--
I'll tell you, gentlemen; let them but lend
him a suit of reparel and necessaries, and, by
gad, if any of them all blow wind in the tail
on him, I'll be hanged.      [_Ralph comes on the Stage._

_Wife._ I pray you, youth, let him have a suit of
reparel!--I'll be sworn, gentlemen, my
husband tells you true: he will act you sometimes                     80
at our house, that all the neighbours cry
out on him; he will fetch you up a couraging
part so in the garret, that we are all as feared,
I warrant you, that we quake again: we'll
fear our children with him; if they be never
so unruly, do but cry, "Ralph comes, Ralph
comes!" to them, and they'll be as quiet as
lambs.--Hold up thy head, Ralph; show the
gentlemen what thou canst do; speak a huffing
part; I warrant you, the gentlemen will accept                        90
of it.

_Cit._ Do, Ralph, do.

_Ralph._ "By Heaven, methinks, it were an easy leap
To pluck bright honour from the pale-faced moon;
Or dive into the bottom of the sea,
Where never fathom-line touched any ground,
And pluck up drowned honour from the lake of hell."

_Cit._ How say you, gentlemen, is it not as I told
you?

_Wife._ Nay, gentlemen, he hath played before, my                    100
husband says, Mucedorus, before the wardens
of our company.

_Cit._ Ay, and he should have played Jeronimo with
a shoemaker for a wager.

_S. of Prol._ He shall have a suit of apparel, if he
will go in.

_Cit._ In, Ralph, in, Ralph; and set out the grocery
in their kind, if thou lovest me.          [_Exit Ralph._

_Wife._ I warrant, our Ralph will look finely when
he's dressed.                                                        110

_S. of Prol._ But what will you have it called?

_Cit._ "The Grocer's Honour."

_S. of Prol._ Methinks "The Knight of the Burning
Pestle" were better.

_Wife._ I'll be sworn, husband, that's as good a
name as can be.

_Cit._ Let it be so.--Begin, begin; my wife and I
will sit down.

_S. of Prol._ I pray you, do.

_Cit._ What stately music have you? you have                         120
shawms?

_S. of Prol._ Shawms! no.

_Cit._ No! I'm a thief, if my mind did not give me
so. Ralph plays a stately part, and he must
needs have shawms: I'll be at the charge of
them myself, rather than we'll be without them.

_S. of Prol._ So you are like to be.

_Cit._ Why, and so I will be: there's two shillings;
--[_Gives money._]--let's have the waits of                          130
Southwark; they are as rare fellows as any are
in England; and that will fetch them all o'er
the water with a vengeance, as if they were
mad.

_S. of Prol._ You shall have them. Will you sit
down, then?

_Cit._ Ay.--Come, wife.

_Wife._ Sit you merry all, gentlemen; I'm bold to
sit amongst you for my ease.
                            [_Citizen and Wife sit down._

_S. of Prol._ "From all that's near the court, from all that's great,
Within the compass of the city-walls,                                141
We now have brought our scene. Fly far from hence
All private taxes, immodest phrases,
Whatever may but show like vicious!
For wicked mirth never true pleasure brings,
But honest minds are pleased with honest things."--
Thus much for that we do; but for Ralph's
part you must answer for yourself.

_Cit._ Take you no care for Ralph; he'll discharge
himself, I warrant you.      [_Exit Speaker of Prologue._

_Wife._ I'faith, gentlemen, I'll give my word for Ralph.             151




Act First.


Scene I.

_A Room in the House of Venturewell._

    _Enter Venturewell and Jasper._


_Vent._ Sirrah, I'll make you know you are my prentice,
And whom my charitable love redeemed
Even from the fall of fortune; gave thee heat
And growth, to be what now thou art, new-cast thee;
Adding the trust of all I have, at home,
In foreign staples, or upon the sea,
To thy direction; tied the good opinions
Both of myself and friends to thy endeavours;
So fair were thy beginnings. But with these,
As I remember, you had never charge                                   10
To love your master's daughter, and even then
When I had found a wealthy husband for her;
I take it, sir, you had not: but, however,
I'll break the neck of that commission,
And make you know you are but a merchant's factor.

_Jasp._ Sir, I do liberally confess I am yours,
Bound both by love and duty to your service,
In which my labour hath been all my profit:
I have not lost in bargain, nor delighted
To wear your honest gains upon my back;                               20
Nor have I given a pension to my blood,
Or lavishly in play consumed your stock;
These, and the miseries that do attend them,
I dare with innocence proclaim are strangers
To all my temperate actions. For your daughter,
If there be any love to my deservings
Borne by her virtuous self, I cannot stop it;
Nor am I able to refrain her wishes,
She's private to herself, and best of knowledge
Whom she will make so happy as to sigh for:                           30
Besides, I cannot think you mean to match her
Unto a fellow of so lame a presence,
One that hath little left of nature in him.

_Vent._ 'Tis very well, sir: I can tell your wisdom
How all this shall be cured.

_Jasp._ Your care becomes you.

_Vent._ And thus it shall be, sir: I here discharge you
My house and service; take your liberty;
And when I want a son, I'll send for you.        [_Exit._

_Jasp._ These be the fair rewards of them that love!
Oh, you that live in freedom, never prove                             40
The travail of a mind led by desire!

    _Enter Luce._

_Luce._ Why, how now, friend? struck with my father's thunder!

_Jasp._ Struck, and struck dead, unless the remedy
Be full of speed and virtue; I am now,
What I expected long, no more your father's.

_Luce._ But mine.

_Jasp._ But yours, and only yours, I am;
That's all I have to keep me from the statute.
You dare be constant still?

_Luce._ Oh, fear me not!
In this I dare be better than a woman:
Nor shall his anger nor his offers move me,                           50
Were they both equal to a prince's power.

_Jasp._ You know my rival!

_Luce._ Yes, and love him dearly;
Even as I love an ague or foul weather:
I prithee, Jasper, fear him not.

_Jasp._ Oh, no!
I do not mean to do him so much kindness.
But to our own desires: you know the plot
We both agreed on?

_Luce._ Yes, and will perform
My part exactly.

_Jasp._ I desire no more.
Farewell, and keep my heart; 'tis yours.

_Luce._ I take it;
He must do miracles makes me forsake it.                              60
                                     [_Exeunt severally._

[_Cit._ Fie upon 'em, little infidels! what a matter's
here now! Well, I'll be hanged for a halfpenny,
if there be not some abomination
knavery in this play. Well; let 'em look
to't; Ralph must come, and if there be any
tricks a-brewing----

_Wife._ Let 'em brew and bake too, husband, a'
God's name; Ralph will find all out, I
warrant you, an they were older than they
are.--[_Enter Boy._]--I pray, my pretty                               70
youth, is Ralph ready?

_Boy._ He will be presently.

_Wife._ Now, I pray you, make my commendations
unto him, and withal carry him this stick of
liquorice: tell him his mistress sent it to him;
and bid him bite a piece; 'twill open his pipes
the better, say.]                            [_Exit Boy._


Scene II.

_Another Room in the House of Venturewell._

    _Enter Venturewell and Humphrey._


_Vent._ Come, sir, she's yours; upon my faith, she's yours;
You have my hand: for other idle lets
Between your hopes and her, thus with a wind
They are scattered and no more. My wanton prentice,
That like a bladder blew himself with love,
I have let out, and sent him to discover
New masters yet unknown.

_Hum._ I thank you, sir,
Indeed, I thank you, sir; and, ere I stir,
It shall be known, however you do deem,
I am of gentle blood, and gentle seem.                                10

_Vent._ Oh, sir, I know it certain.

_Hum._ Sir, my friend,
Although, as writers say, all things have end,
And that we call a pudding hath his two,
Oh, let it not seem strange, I pray, to you,
If in this bloody simile I put
My love, more endless than frail things or gut!

[_Wife._ Husband, I prithee, sweet lamb, tell me one
thing; but tell me truly.--Stay, youths, I
beseech you, till I question my husband.

_Cit._ What is it, mouse?                                             20

_Wife._ Sirrah, didst thou ever see a prettier child?
how it behaves itself, I warrant ye, and speaks
and looks, and perts up the head!--I pray you,
brother, with your favour, were you never none
of Master Moncaster's scholars?

_Cit._ Chicken, I prithee heartily, contain thyself: the
childer are pretty childer; but when Ralph
comes, lamb----

_Wife._ Ay, when Ralph comes, cony!--Well, my
youth, you may proceed.]                                              30

_Vent._ Well, sir, you know my love, and rest, I hope,
Assured of my consent; get but my daughter's,
And wed her when you please. You must be bold,
And clap in close unto her: come, I know
You have language good enough to win a wench.

[_Wife._ A whoreson tyrant! h'as been an old stringer
in's days, I warrant him.]

_Hum._ I take your gentle offer, and withal
Yield love again for love reciprocal.

_Vent._ What, Luce! within there!                                     40

    _Enter Luce._

_Luce._ Called you, sir?

_Vent._ I did:
Give entertainment to this gentleman;
And see you be not froward.--To her, sir:
My presence will but be an eye-sore to you.      [_Exit._

_Hum._ Fair Mistress Luce, how do you? are you well?
Give me your hand, and then I pray you tell
How doth your little sister and your brother;
And whether you love me or any other.

_Luce._ Sir, these are quickly answered.

_Hum._ So they are,
Where women are not cruel. But how far
Is it now distant from the place we are in,                           50
Unto that blessèd place, your father's warren?

_Luce._ What makes you think of that, sir?

_Hum._ Even that face;
For, stealing rabbits whilom in that place,
God Cupid, or the keeper, I know not whether,
Unto my cost and charges brought you thither,
And there began----

_Luce._ Your game, sir.

_Hum._ Let no game,
Or any thing that tendeth to the same,
Be ever more remembered, thou fair killer,
For whom I sate me down, and brake my tiller.

[_Wife._ There's a kind gentleman, I warrant you:                     60
when will you do as much for me, George?]

_Luce._ Beshrew me, sir, I am sorry for your losses,
But, as the proverb says, I cannot cry:
I would you had not seen me!

_Hum._ So would I,
Unless you had more maw to do me good.

_Luce._ Why, cannot this strange passion be withstood;
Send for a constable, and raise the town.

_Hum._ Oh, no! my valiant love will batter down
Millions of constables, and put to flight
Even that great watch of Midsummer-day at night.

_Luce._ Beshrew me, sir, 'twere good I yielded, then;                 71
Weak women cannot hope, where valiant men
Have no resistance.

_Hum._ Yield, then; I am full
Of pity, though I say it, and can pull
Out of my pocket thus a pair of gloves.
Look, Lucé, look; the dog's tooth nor the dove's
Are not so white as these; and sweet they be,
And whipt about with silk, as you may see.
If you desire the price, shoot from your eye
A beam to this place, and you shall espy                              80
_F S_, which is to say, my sweetest honey,
They cost me three and twopence, or no money.

_Luce._ Well, sir, I take them kindly, and I thank you:
What would you more?

_Hum._ Nothing.

_Luce._ Why, then, farewell.

_Hum._ Nor so, nor so; for, lady, I must tell,
Before we part, for what we met together:
God grant me time and patience and fair weather!

_Luce._ Speak, and declare your mind in terms so brief.

_Hum._ I shall: then, first and foremost, for relief
I call to you, if that you can afford it;                             90
I care not at what price, for, on my word, it
Shall be repaid again, although it cost me
More than I'll speak of now; for love hath tost me
In furious blanket like a tennis-ball,
And now I rise aloft, and now I fall.

_Luce._ Alas, good gentleman, alas the day!

_Hum._ I thank you heartily; and, as I say,
Thus do I still continue without rest,
I' the morning like a man, at night a beast,
Roaring and bellowing mine own disquiet,                             100
That much I fear, forsaking of my diet
Will bring me presently to that quandary,
I shall bid all adieu.

_Luce._ Now, by St Mary,
That were great pity!

_Hum._ So it were, beshrew me;
Then, ease me, lusty Luce, and pity show me.

_Luce._ Why, sir, you know my will is nothing worth
Without my father's grant; get his consent,
And then you may with assurance try me.

_Hum._ The worshipful your sire will not deny me;
For I have asked him, and he hath replied,                           110
"Sweet Master Humphrey, Luce shall be thy bride."

_Luce._ Sweet Master Humphrey, then I am content.

_Hum._ And so am I, in truth.

_Luce._ Yet take me with you;
There is another clause must be annexed,
And this it is: I swore, and will perform it,
No man shall ever joy me as his wife
But he that stole me hence. If you dare venture,
I am yours (you need not fear; my father loves you);
If not, farewell for ever!

_Hum._ Stay, nymph, stay:
I have a double gelding, coloured bay,                               120
Sprung by his father from Barbarian kind;
Another for myself, though somewhat blind,
Yet true as trusty tree.

_Luce._ I am satisfied;
And so I give my hand. Our course must lie
Through Waltham-forest, where I have a friend
Will entertain us. So, farewell, Sir Humphrey,
And think upon your business.                    [_Exit._

_Hum._ Though I die,
I am resolved to venture life and limb
For one so young, so fair, so kind, so trim.     [_Exit._

[_Wife._ By my faith and troth, George, and as I am                  130
virtuous, it is e'en the kindest young man that
ever trod on shoe-leather.--Well, go thy ways;
if thou hast her not, 'tis not thy fault, i'faith.

_Cit._ I prithee, mouse, be patient; 'a shall have her,
or I'll make some of 'em smoke for't.

_Wife._ That's my good lamb, George.--Fie, this
stinking tobacco kills me! would there were
none in England!--Now, I pray, gentlemen,
what good does this stinking tobacco do you?
nothing, I warrant you: make chimneys o'                             140
your faces!]


Scene III.

_A Grocer's Shop._

    _Enter Ralph, as a Grocer, reading Palmerin of England,
    with Tim and George._


[_Wife._ Oh, husband, husband, now, now! there's
Ralph, there's Ralph.

_Cit._ Peace, fool! let Ralph alone.--Hark you,
Ralph; do not strain yourself too much at
the first.--Peace!--Begin, Ralph.]

_Ralph._ [_Reads._] Then Palmerin and Trineus,
snatching their lances from their dwarfs, and
clasping their helmets galloped amain after the
giant; and Palmerin, having gotten a sight of
him, came posting amain, saying, 'Stay, traitorous                    10
thief! for thou mayst not so carry away
her, that is worth the greatest lord in the
world;' and, with these words, gave him a
blow on the shoulder, that he struck him besides
his elephant. And Trineus, coming to
the knight that had Agricola behind him, set
him soon besides his horse, with his neck
broken in the fall; so that the princess,
getting out of the throng, between joy and
grief, said, "All happy knight, the mirror of                         20
all such as follow arms, now may I be well
assured of the love thou bearest me." I
wonder why the kings do not raise an army
of fourteen or fifteen hundred thousand men,
as big as the army that the Prince of Portigo
brought against Rosicleer, and destroy these
giants; they do much hurt to wandering
damsels, that go in quest of their knights.

[_Wife._ Faith, husband, and Ralph says true; for
they say the King of Portugal cannot sit at                           30
his meat, but the giants and the ettins will
come and snatch it from him.

_Cit._ Hold thy tongue.--On, Ralph!]

_Ralph._ And certainly those knights are much to be
commended, who, neglecting their possessions,
wander with a squire and a dwarf through the
deserts to relieve poor ladies.

[_Wife._ Ay, by my faith, are they, Ralph; let 'em
say what they will, they are indeed. Our
knights neglect their possessions well enough,                        40
but they do not the rest.]

_Ralph._ There are no such courteous and fair well-spoken
knights in this age: they will call one
"the son of a whore," that Palmerin of
England would have called "fair sir;" and
one that Rosicleer would have called "right
beauteous damsel," they will call "damned
bitch."

[_Wife._ I'll be sworn will they, Ralph; they have
called me so an hundred times about a scurvy                          50
pipe of tobacco.]

_Ralph._ But what brave spirit could be content to sit
in his shop, with a flappet of wood, and a blue
apron before him, selling mithridatum and
dragon's-water to visited houses, that might
pursue feats of arms, and, through his noble
achievements, procure such a famous history
to be written of his heroic prowess?

[_Cit._ Well said, Ralph; some more of those words, Ralph!            60

_Wife._ They go finely, by my troth.]

_Ralph._ Why should not I, then, pursue this course,
both for the credit of myself and our company?
for amongst all the worthy books of achievements,
I do not call to mind that I yet read
of a grocer-errant: I will be the said knight.
--Have you heard of any that hath wandered
unfurnished of his squire and dwarf? My elder
prentice Tim shall be my trusty squire, and little
George my dwarf. Hence, my blue apron!                                70
Yet, in remembrance of my former trade, upon
my shield shall be portrayed a Burning Pestle,
and I will be called the Knight of the Burning
Pestle.

[_Wife._ Nay, I dare swear thou wilt not forget thy
old trade; thou wert ever meek.]

_Ralph._ Tim!

_Tim._ Anon.

_Ralph._ My beloved squire, and George my dwarf,
I charge you that from henceforth you never                           80
call me by any other name but "the right
courteous and valiant Knight of the Burning
Pestle;" and that you never call any female
by the name of a woman or wench, but
"fair lady," if she have her desires, if not,
"distressed damsel;" that you call all
forests and heaths "deserts," and all horses
"palfreys."

[_Wife._ This is very fine, faith.--Do the gentlemen
like Ralph, think you, husband?                                       90

_Cit._ Ay, I warrant thee; the players would give all
the shoes in their shop for him.]

_Ralph._ My beloved squire Tim, stand out. Admit
this were a desert, and over it a knight-errant
pricking, and I should bid you inquire of his
intents, what would you say?

_Tim._ Sir, my master sent me to know whither you
are riding?

_Ralph._ No, thus: "Fair sir, the right courteous
and valiant Knight of the Burning Pestle                             100
commanded me to inquire upon what adventure
you are bound, whether to relieve some distressed
damsel, or otherwise."

[_Cit._ Whoreson blockhead, cannot remember!

_Wife._ I'faith, and Ralph told him on't before: all
the gentlemen heard him.--Did he not, gentlemen?
did not Ralph tell him on't?]

_George._ Right courteous and valiant Knight of the
Burning Pestle, here is a distressed damsel to
have a halfpenny-worth of pepper.                                    110

[_Wife._ That's a good boy! see, the little boy can
hit it; by my troth, it's a fine child.]

_Ralph._ Relieve her, with all courteous language.
Now shut up shop; no more my prentices, but
my trusty squire and dwarf. I must bespeak
my shield and arming pestle.
                                [_Exeunt Tim and George._

[_Cit._ Go thy ways, Ralph! As I'm a true man,
thou art the best on 'em all.

_Wife._ Ralph, Ralph!

_Ralph._ What say you, mistress?                                     120

_Wife._ I prithee, come again quickly, sweet Ralph.

_Ralph._ By and by.]                             [_Exit._


Scene IV.

    _A Room in Merrythought's House._

    _Enter Mistress Merrythought and Jasper._


_Mist. Mer._ Give thee my blessing! no, I'll ne'er
give thee my blessing; I'll see thee hanged
first; it shall ne'er be said I gave thee my
blessing. Thou art thy father's own son, of
the right blood of the Merrythoughts. I may
curse the time that e'er I knew thy father; he
hath spent all his own and mine too; and when
I tell him of it, he laughs, and dances, and
sings, and cries, "A merry heart lives long-a."
And thou art a wastethrift, and art run away                          10
from thy master that loved thee well, and art
come to me; and I have laid up a little for
my younger son Michael, and thou thinkest to
bezzle that, but thou shalt never be able to do
it.--Come hither, Michael!

    _Enter Michael._

Come, Michael, down on thy knees; thou shalt
have my blessing.

_Mich._ [_Kneels._] I pray you, mother, pray to God
to bless me.

_Mist. Mer._ God bless thee! but Jasper shall never                   20
have my blessing; he shall be hanged first:
shall he not, Michael? how sayest thou?

_Mich._ Yes, forsooth, mother, and grace of God.

_Mist. Mer._ That's a good boy!

[_Wife._ I'faith, it's a fine-spoken child.]

_Jasp._ Mother, though you forget a parent's love
I must preserve the duty of a child.
I ran not from my master, nor return
To have your stock maintain my idleness.

[_Wife._ Ungracious child, I warrant him; hark,                       30
how he chops logic with his mother!--Thou
hadst best tell her she lies; do, tell her she
lies.

_Cit._ If he were my son, I would hang him up by
the heels, and flay him, and salt him, whoreson
haltersack.]

_Jasp._ My coming only is to beg your love,
Which I must ever, though I never gain it;
And, howsoever you esteem of me,
There is no drop of blood hid in these veins                          40
But, I remember well, belongs to you
That brought me forth, and would be glad for you
To rip them all again, and let it out.

_Mist. Mer._ I'faith, I had sorrow enough for thee,
God knows; but I'll hamper thee well enough.
Get thee in, thou vagabond, get thee in, and
learn of thy brother Michael.
                            [_Exeunt Jasper and Michael._

_Mer._ [_Singing within._]
     Nose, nose, jolly red nose,
     And who gave thee this jolly red nose?

_Mist. Mer._ Hark, my husband! he's singing and                       50
hoiting; and I'm fain to cark and care, and
all little enough.--Husband! Charles! Charles
Merrythought!

    _Enter Merrythought._

_Mer._ [_Sings._]
     Nutmegs and ginger, cinnamon and cloves;
     And they gave me this jolly red nose.

_Mist. Mer._ If you would consider your state, you
would have little list to sing, i-wis.

_Mer._ It should never be considered, while it were
an estate, if I thought it would spoil my singing.

_Mist. Mer._ But how wilt thou do, Charles? thou                      60
art an old man, and thou canst not work, and
thou hast not forty shillings left, and thou
eatest good meat, and drinkest good drink, and
laughest.

_Mer._ And will do.

_Mist. Mer._ But how wilt thou come by it, Charles?

_Mer._ How! why, how have I done hitherto these
forty years? I never came into my dining
room, but, at eleven and six o'clock, I found
excellent meat and drink o' the table; my                             70
clothes were never worn out, but next morning
a tailor brought me a new suit: and without
question it will be so ever; use makes perfectness.
If all should fail, it is but a little straining
myself extraordinary, and laugh myself to
death.

[_Wife._ It's a foolish old man this; is not he,
George?

_Cit._ Yes, cony.

_Wife._ Give me a penny i' the purse while I live,                    80
George.

_Cit._ Ay, by lady, cony, hold thee there.]

_Mist. Mer._ Well, Charles; you promised to provide
for Jasper, and I have laid up for Michael.
I pray you, pay Jasper his portion: he's come
home, and he shall not consume Michael's
stock; he says his master turned him away,
but, I promise you truly, I think he ran
away.

[_Wife._ No, indeed, Mistress Merrythought; though                    90
he be a notable gallows, yet I'll assure you his
master did turn him away, even in this place;
'twas, i'faith, within this half-hour, about his
daughter; my husband was by.

_Cit._ Hang him, rogue! he served him well enough:
love his master's daughter! By my troth,
cony, if there were a thousand boys, thou
wouldst spoil them all with taking their parts;
let his mother alone with him.

_Wife._ Ay, George; but yet truth is truth.]                         100

_Mer._ Where is Jasper? he's welcome, however.
Call him in; he shall have his portion. Is he
merry?

_Mist. Mer._ Ah, foul chive him, he is too merry!
--Jasper! Michael!

    _Re-enter Jasper and Michael._

_Mer._ Welcome, Jasper! though thou runnest away,
welcome! God bless thee! 'Tis thy mother's
mind thou shouldst receive thy portion; thou
hast been abroad, and I hope hast learned experience
enough to govern it; thou art of                                     110
sufficient years; hold thy hand--one, two,
three, four, five, six, seven, eight, nine, there
is ten shillings for thee. [_Gives money._]
Thrust thyself into the world with that, and
take some settled course: if fortune cross thee,
thou hast a retiring place; come home to me;
I have twenty shillings left. Be a good
husband; that is, wear ordinary clothes, eat
the best meat, and drink the best drink; be
merry, and give to the poor, and, believe me,                        120
thou hast no end of thy goods.

_Jasp._ Long may you live free from all thought of ill,
And long have cause to be thus merry still!
But, father----

_Mer._ No more words, Jasper; get thee gone.
Thou hast my blessing; thy father's spirit upon
thee! Farewell, Jasper!                         [_Sings._

But yet, or ere you part (oh, cruel!)
Kiss me, kiss me, sweeting, mine own dear jewel!

So, now begone; no words.                 [_Exit Jasper._            130

_Mist. Mer._ So, Michael, now get thee gone too.

_Mich._ Yes, forsooth, mother; but I'll have my
father's blessing first.

_Mist. Mer._ No, Michael; 'tis no matter for his
blessing; thou hast my blessing; begone. I'll
fetch my money and jewels, and follow thee;
I'll stay no longer with him, I warrant thee.
[_Exit Michael._]--Truly, Charles, I'll be
gone too.

_Mer._ What! you will not?                                           140

_Mist. Mer._ Yes, indeed will I.

_Mer._ [_Sings._]
                     Heigh-ho, farewell, Nan!
     I'll never trust wench more again, if I can.

_Mist. Mer._ You shall not think, when all your own
is gone, to spend that I have been scraping up
for Michael.

_Mer._ Farewell, good wife; I expect it not: all I
have to do in this world, is to be merry;
which I shall, if the ground be not taken from
me; and if it be,                               [_Sings._            150

     When earth and seas from me are reft,
     The skies aloft for me are left.
                                     [_Exeunt severally._

[_Wife._ I'll be sworn he's a merry old gentleman
for all that. [_Music._] Hark, hark, husband,
hark! fiddles, fiddles! now surely they go
finely. They say 'tis present death for these
fiddlers, to tune their rebecks before the great
Turk's grace; it's not, George? [_Enter a
Boy and dances._] But, look, look! here's a
youth dances!--Now, good youth, do a turn                            160
o' the toe.--Sweetheart, i'faith, I'll have Ralph
come and do some of his gambols.--He'll ride
the wild mare, gentlemen, 'twould do your hearts
good to see him.--I thank you, kind youth;
pray, bid Ralph come.

_Cit._ Peace, cony!--Sirrah, you scurvy boy, bid the
players send Ralph; or, by God's----an they
do not, I'll tear some of their periwigs beside
their heads: this is all riff-raff.]         [_Exit Boy._




Act Second.


Scene I.

_A Room in the House of Venturewell._

    _Enter Venturewell and Humphrey._


_Vent._ And how, faith, how goes it now, son Humphrey?

_Hum._ Right worshipful, and my belovèd friend
And father dear, this matter's at an end.

_Vent._ 'Tis well: it should be so: I'm glad the girl
Is found so tractable.

_Hum._ Nay, she must whirl
From hence (and you must wink; for so, I say,
The story tells,) to-morrow before day.

[_Wife._ George, dost thou think in thy conscience
now 'twill be a match? tell me but what thou
thinkest, sweet rogue. Thou seest the poor                            10
gentleman, dear heart, how it labours and throbs,
I warrant you, to be at rest! I'll go move the
father for't.

_Cit._ No, no; I prithee, sit still, honeysuckle; thou'lt
spoil all. If he deny him, I'll bring half-a-dozen
good fellows myself, and in the shutting
of an evening, knock't up, and there's an
end.

_Wife._ I'll buss thee for that, i'faith, boy. Well,
George, well, you have been a wag in your                             20
days, I warrant you; but God forgive you,
and I do with all my heart.]

_Vent._ How was it, son? you told me that to-morrow
Before day-break, you must convey her hence.

_Hum._ I must, I must; and thus it is agreed:
Your daughter rides upon a brown-bay steed,
I on a sorrel, which I bought of Brian,
The honest host of the Red roaring Lion,
In Waltham situate. Then, if you may,
Consent in seemly sort; lest, by delay,                               30
The Fatal Sisters come, and do the office,
And then you'll sing another song.

_Vent._ Alas,
Why should you be thus full of grief to me,
That do as willing as yourself agree
To any thing, so it be good and fair?
Then, steal her when you will, if such a pleasure
Content you both; I'll sleep and never see it,
To make your joys more full. But tell me why
You may not here perform your marriage?

[_Wife._ God's blessing o' thy soul, old man! i'faith,                40
thou art loath to part true hearts. I see 'a has
her, George; and I'm as glad on't!--Well, go
thy ways, Humphrey, for a fair-spoken man;
I believe thou hast not thy fellow within the
walls of London; an I should say the suburbs
too, I should not lie.--Why dost not rejoice
with me, George?

_Cit._ If I could but see Ralph again, I were as merry
as mine host, i'faith.]

_Hum._ The cause you seem to ask, I thus declare--                    50
Help me, O Muses nine! Your daughter sware
A foolish oath, and more it was the pity;
Yet no one but myself within this city
Shall dare to say so, but a bold defiance
Shall meet him, were he of the noble science;
And yet she sware, and yet why did she sware?
Truly, I cannot tell, unless it were
For her own ease; for, sure, sometimes an oath,
Being sworn thereafter, is like cordial broth;
And this it was she swore, never to marry                             60
But such a one whose mighty arm could carry
(As meaning me, for I am such a one)
Her bodily away, through stick and stone,
Till both of us arrive, at her request,
Some ten miles off, in the wild Waltham-forest.

_Vent._ If this be all, you shall not need to fear
Any denial in your love: proceed;
I'll neither follow, nor repent the deed.                             68

_Hum._ Good night, twenty good nights, and twenty more,
And twenty more good nights,--that makes three score!
                                     [_Exeunt severally._


Scene II.

_Waltham Forest._

    _Enter Mistress Merrythought and Michael._


_Mist. Mer._ Come, Michael; art thou not weary,
boy?

_Mich._ No, forsooth, mother, not I.

_Mist. Mer._ Where be we now, child?

_Mich._ Indeed, forsooth, mother, I cannot tell, unless
we be at Mile-End: Is not all the world Mile-End,
mother?

_Mist. Mer._ No, Michael, not all the world, boy;
but I can assure thee, Michael, Mile-End is a
goodly matter: there has been a pitchfield, my                        10
child, between the naughty Spaniels and the
Englishmen; and the Spaniels ran away,
Michael, and the Englishmen followed: my
neighbour Coxstone was there, boy, and killed
them all with a birding-piece.

_Mich._ Mother, forsooth--

_Mist. Mer._ What says my white boy?

_Mich._ Shall not my father go with us too?

_Mist. Mer._ No, Michael, let thy father go snick up;
he shall never come between a pair of                                 20
sheets with me again while he lives; let him
stay at home, and sing for his supper, boy.
Come, child, sit down, and I'll show my boy
fine knacks, indeed. [_They sit down: and
she takes out a casket._] Look here, Michael;
here's a ring, and here's a brooch, and here's
a bracelet, and here's two rings more, and here's
money and gold by th'eye, my boy.

_Mich._ Shall I have all this, mother?

_Mist. Mer._ Ay, Michael, thou shalt have all, Michael.               30

[_Cit._ How likest thou this, wench?

_Wife._ I cannot tell; I would have Ralph, George;
I'll see no more else, indeed, la; and I pray
you, let the youths understand so much by
word of mouth; for, I tell you truly, I'm
afraid o' my boy. Come, come, George, let's
be merry and wise: the child's a fatherless
child; and say they should put him into a
strait pair of gaskins, 'twere worse than knot-grass;
he would never grow after it.]                                        40

    _Enter Ralph, Tim and George._

[_Cit._ Here's Ralph, here's Ralph!

_Wife._ How do you do, Ralph? you are welcome,
Ralph, as I may say; it's a good boy, hold up
thy head, and be not afraid; we are thy friends,
Ralph; the gentlemen will praise thee, Ralph,
if thou playest thy part with audacity. Begin,
Ralph, a' God's name!]

_Ralph._ My trusty squire, unlace my helm: give me my hat.
Where are we, or what desert may this be?

_George._ Mirror of knighthood, this is, as I take                    50
it, the perilous Waltham-down; in whose
bottom stands the enchanted valley.

_Mist. Mer._ Oh, Michael, we are betrayed, we are
betrayed! here be giants! Fly, boy! fly,
boy, fly!        [_Exit with Michael leaving the casket._

_Ralph._ Lace on my helm again. What noise is this?
A gentle lady, flying the embrace
Of some uncourteous knight! I will relieve her.
Go, squire, and say, the Knight, that wears this Pestle
In honour of all ladies, swears revenge                               60
Upon that recreant coward that pursues her;
Go, comfort her, and that same gentle squire
That bears her company.

_Tim._ I go, brave knight.                       [_Exit._

_Ralph._ My trusty dwarf and friend, reach me my shield;
And hold it while I swear. First, by my knighthood;
Then by the soul of Amadis de Gaul,
My famous ancestor; then by my sword
The beauteous Brionella girt about me;
By this bright burning Pestle, of mine honour
The living trophy; and by all respect                                 70
Due to distressèd damsels; here I vow
Never to end the quest of this fair lady
And that forsaken squire till by my valour
I gain their liberty!

_George._ Heaven bless the knight
That thus relieves poor errant gentlewomen!
                                               [_Exeunt._

[_Wife._ Ay, marry, Ralph, this has some savour
in't; I would see the proudest of them all
offer to carry his books after him. But,
George, I will not have him go away so soon;
I shall be sick if he go away, that I shall:                          80
call Ralph again, George, call Ralph again;
I prithee, sweetheart, let him come fight before
me, and let's ha' some drums and some
trumpets, and let him kill all that comes near
him, an thou lovest me, George!

_Cit._ Peace a little, bird: he shall kill them all, an
they were twenty more on 'em than there are.]

    _Enter Jasper._

_Jasp._ Now, Fortune, if thou be'st not only ill,
Show me thy better face, and bring about
Thy desperate wheel, that I may climb at length,                      90
And stand. This is our place of meeting,
If love have any constancy. Oh, age,
Where only wealthy men are counted happy!
How shall I please thee, how deserve thy smiles,
When I am only rich in misery?
My father's blessing and this little coin
Is my inheritance; a strong revénue!
From earth thou art, and to the earth I give thee:
                                [_Throws away the money._

There grow and multiply, whilst fresher air
Breeds me a fresher fortune.--How! illusion?                         100
                                      [_Sees the casket._

What, hath the devil coined himself before me?
'Tis metal good, it rings well; I am waking,
And taking too, I hope. Now, God's dear blessing
Upon his heart that left it here! 'tis mine;
These pearls, I take it, were not left for swine.
                                 [_Exit with the casket._

[_Wife._ I do not like that this unthrifty youth should
embezzle away the money; the poor gentlewoman
his mother will have a heavy heart for
it, God knows.]

_Cit._ And reason good, sweetheart.                                  110

_Wife._ But let him go; I'll tell Ralph a tale in's
ear shall fetch him again with a wanion, I
warrant him, if he be above ground; and
besides, George, here are a number of sufficient
gentlemen can witness, and myself, and yourself,
and the musicians, if we be called in
question.


Scene III.

_Another part of the Forest._

    _Enter Ralph and George._


But here comes Ralph, George; thou shalt
hear him speak as he were an emperal.]

_Ralph._ Comes not sir squire again?

_George._ Right courteous knight,
Your squire doth come, and with him comes the lady,
For and the Squire of Damsels, as I take it.

    _Enter Tim, Mistress Merrythought and Michael._

_Ralph._ Madam, if any service or devoir
Of a poor errant knight may right your wrongs,
Command it; I am prest to give you succour;
For to that holy end I bear my armour.

_Mist. Mer._ Alas, sir, I am a poor gentlewoman,                      10
and I have lost my money in this forest!

_Ralph._ Desert, you would say, lady; and not lost
Whilst I have sword and lance. Dry up your tears,
Which ill befit the beauty of that face,
And tell the story, if I may request it,
Of your disastrous fortune.

_Mist. Mer._ Out, alas! I left a thousand pound,
a thousand pound, e'en all the money I had
laid up for this youth, upon the sight of your
mastership; you looked so grim, and, as I may                         20
say it, saving your presence, more like a giant
than a mortal man.

_Ralph._ I am as you are, lady; so are they;
All mortal. But why weeps this gentle squire?

_Mist. Mer._ Has he not cause to weep, do you
think, when he hath lost his inheritance?

_Ralph._ Young hope of valour, weep not; I am here
That will confound thy foe, and pay it dear
Upon his coward head, that dares deny
Distressèd squires and ladies equity.                                 30
I have but one horse, on which shall ride
This fair lady behind me, and before
This courteous squire: fortune will give us more
Upon our next adventure. Fairly speed
Beside us, squire and dwarf, to do us need!
                                               [_Exeunt._

[_Cit._ Did not I tell you, Nell, what your man
would do? by the faith of my body, wench,
for clean action and good delivery, they may
all cast their caps at him.

_Wife._ And so they may, i'faith; for I dare speak.                   40
it boldly, the twelve companies of London
cannot match him, timber for timber. Well,
George, an he be not inveigled by some of
these paltry players, I ha' much marvel: but,
George, we ha' done our parts, if the boy
have any grace to be thankful.

_Cit._ Yes, I warrant thee, duckling.]


Scene IV.

_Another part of the Forest._

    _Enter Humphrey and Luce._


_Hum._ Good Mistress Luce, however I in fault am
For your lame horse, you're welcome unto Waltham;
But which way now to go, or what to say,
I know not truly, till it be broad day.

_Luce._ Oh, fear not, Master Humphrey; I am guide
For this place good enough.

_Hum._ Then, up and ride;
Or, if it please you, walk, for your repose,
Or sit, or, if you will, go pluck a rose;
Either of which shall be indifferent                                   9
To your good friend and Humphrey, whose consent
Is so entangled ever to your will,
As the poor harmless horse is to the mill.

_Luce._ Faith, an you say the word, we'll e'en sit down,
And take a nap.

_Hum._ 'Tis better in the town,
Where we may nap together; for, believe me,
To sleep without a snatch would mickle grieve me.

_Luce._ You're merry, Master Humphrey.

_Hum._ So I am,
And have been ever merry from my dam.

_Luce._ Your nurse had the less labour.

_Hum._ Faith, it may be,
Unless it were by chance I did beray me.                              20

    _Enter Jasper._

_Jasp._ Luce! dear friend Luce!

_Luce._ Here, Jasper.

_Jasp._ You are mine.

_Hum._ If it be so, my friend, you use me fine:
What do you think I am?

_Jasp._ An arrant noddy.

_Hum._ A word of obloquy! Now, by God's body,
I'll tell thy master; for I know thee well.

_Jasp._ Nay, an you be so forward for to tell,
Take that, and that; and tell him, sir, I gave it:
And say, I paid you well.                   [_Beats him._

_Hum._ Oh, sir, I have it,
And do confess the payment! Pray, be quiet.

_Jasp._ Go, get you to your night-cap and the diet,                   30
To cure your beaten bones.

_Luce._ Alas, poor Humphrey;
Get thee some wholesome broth, with sage and comfrey;
A little oil of roses and a feather
To 'noint thy back withal.

_Hum._ When I came hither,
Would I had gone to Paris with John Dory!

_Luce._ Farewell, my pretty nump; I am very sorry
I cannot bear thee company.

_Hum._ Farewell:
The devil's dam was ne'er so banged in hell.
                               [_Exeunt Luce and Jasper._

[_Wife._ This young Jasper will prove me another
thing, o' my conscience, an he may be suffered.                       40
George, dost not see, George, how 'a swaggers,
and flies at the very heads o' folks, as he were
a dragon? Well, if I do not do his lesson for
wronging the poor gentleman, I am no true
woman. His friends that brought him up
might have been better occupied, i-wis, than
have taught him these fegaries: he's e'en in
the high way to the gallows, God bless him!

_Cit._ You're too bitter, cony; the young man may
do well enough for all this.                                          50

_Wife._ Come hither, Master Humphrey; has he
hurt you? now, beshrew his fingers for't! Here
sweetheart, here's some green ginger for thee.
Now, beshrew my heart, but 'a has peppernel
in's head, as big as a pullet's egg! Alas,
sweet lamb, how thy temples beat! Take
the peace on him, sweetheart, take the peace
on him.

_Cit._ No, no; you talk like a foolish woman: I'll
ha' Ralph fight with him, and swinge him up                           60
well-favouredly.--Sirrah boy, come hither.
[_Enter Boy._] Let Ralph come in and fight
with Jasper.

_Wife._ Ay, and beat him well; he's an unhappy
boy.

_Boy._ Sir, you must pardon; the plot of our play
lies contrary; and 'twill hazard the spoiling of
our play.

_Cit._ Plot me no plots! I'll ha' Ralph come
out; I'll make your house too hot for you                             70
else.

_Boy._ Why, sir, he shall; but if any thing fall out of
order, the gentlemen must pardon us.

_Cit._ Go your ways, goodman boy! [_Exit Boy._]
I'll hold him a penny, he shall have his bellyful
of fighting now. Ho, here comes Ralph!
no more!]


Scene V.

_Another part of the Forest._

    _Enter Ralph, Mistress Merrythought, Michael, Tim and George._


_Ralph._ What knight is that, squire? ask him if he keep
The passage, bound by love of lady fair,
Or else but prickant.

_Hum._ Sir, I am no knight,
But a poor gentleman, that this same night
Had stolen from me, on yonder green,
My lovely wife, and suffered (to be seen
Yet extant on my shoulders) such a greeting,
That whilst I live I shall think of that meeting.

[_Wife._ Ay, Ralph, he beat him unmercifully,
Ralph; an thou sparest him, Ralph, I would                            10
thou wert hanged.

_Cit._ No more, wife, no more.]

_Ralph._ Where is the caitiff-wretch hath done this deed?
Lady, your pardon; that I may proceed;
Upon the quest of this injurious knight.--
And thou, fair squire, repute me not the worse,
In leaving the great venture of the purse
And the rich casket, till some better leisure.

_Hum._ Here comes the broker hath purloined my treasure.

    _Enter Jasper and Luce._

_Ralph._ Go, squire, and tell him I am here,                          20
An errant knight-at-arms, to crave delivery
Of that fair lady to her own knight's arms.
If he deny, bid him take choice of ground,
And so defy him.

_Tim._ From the Knight that bears
The Golden Pestle, I defy thee, knight,
Unless thou make fair restitution
Of that bright lady.

_Jasp._ Tell the knight that sent thee,
He is an ass; and I will keep the wench,
And knock his head-piece.

_Ralph._ Knight, thou art but dead,
If thou recall not thy uncourteous terms.                             30

[_Wife._ Break 's pate, Ralph; break 's pate, Ralph,
soundly!]

_Jasp._ Come, knight; I am ready for you. Now your
Pestle                       [_Snatches away his pestle._
Shall try what temper, sir, your mortar's of.
With that he stood upright in his stirrups, and
gave the Knight of the calf-skin such a knock
[_Knocks Ralph down._] that he forsook his
horse, and down he fell; and then he leaped
upon him, and plucking off his helmet----

_Hum._ Nay, an my noble knight be down so soon,                       40
Though I can scarcely go, I needs must run.      [_Exit._

[_Wife._ Run, Ralph, run, Ralph; run for thy life,
boy; Jasper comes, Jasper comes!]          [_Exit Ralph._

_Jasp._ Come Luce, we must have other arms for you:
Humphrey, and Golden Pestle, both adieu!
                                               [_Exeunt._

[_Wife._ Sure the devil (God bless us!) is in this
springald! Why, George, didst ever see such
a fire-drake? I am afraid my boy's miscarried:
if he be, though he were Master
Merrythought's son a thousand times, if                               50
there be any law in England, I'll make some
of them smart for't.

_Cit._ No, no; I have found out the matter, sweetheart;
as sure as we are here, he is enchanted:
he could no more have stood in Ralph's hands
than I can in my lord mayor's. I'll have a
ring to discover all enchantments, and Ralph
shall beat him yet: be no more vexed, for it
shall be so.]


Scene VI.

_Before the Bell-Inn, Waltham._

    _Enter Ralph, Mistress Merrythought, Michael, Tim and George._


[_Wife._ Oh, husband, here's Ralph again!--Stay,
Ralph again, let me speak with thee. How
dost thou, Ralph? art thou not shrewdly
hurt? the foul great lungies laid unmercifully
on thee: there's some sugar-candy for thee.
Proceed; thou shalt have another bout with
him.

_Cit._ If Ralph had him at the fencing-school, if he
did not make a puppy of him, and drive him
up and down the school, he should ne'er come                          10
in my shop more.]

_Mist. Mer._ Truly Master Knight of the Burning
Pestle, I am weary.

_Mich._ Indeed, la, mother, and I am very hungry.

_Ralph._ Take comfort, gentle dame, and you, fair squire;
For in this desert there must needs be placed
Many strong castles, held by courteous knights;
And till I bring you safe to one of those,
I swear by this my order ne'er to leave you.

[_Wife._ Well said, Ralph!--George, Ralph was                         20
ever comfortable, was he not?

_Cit._ Yes, duck.

_Wife._ I shall ne'er forget him. When he had lost
our child, (you know it was strayed almost
alone to Puddle-Wharf, and the criers were
abroad for it, and there it had drowned itself
but for a sculler,) Ralph was the most comfortablest
to me: "Peace, mistress," says he, "let
it go; I'll get you another as good." Did he
not, George, did he not say so?                                       30

_Cit._ Yes, indeed did he, mouse.]

_George._ I would we had a mess of pottage and a pot
of drink, squire, and were going to bed!

_Tim._ Why, we are at Waltham-town's end, and
that's the Bell-Inn.

_George._ Take courage, valiant knight, damsel, and squire!
I have discovered, not a stone's cast off,
An ancient castle, held by the old knight
Of the most holy order of the Bell,
Who gives to all knights-errant entertain:                            40
There plenty is of food, and all prepared
By the white hands of his own lady dear.
He hath three squires that welcome all his guests;
The first, hight Chamberlino, who will see
Our beds prepared, and bring us snowy sheets,
Where never footman stretched his buttered hams;
The second, hight Tapstero, who will see
Our pots full filled, and no froth therein;
The third, a gentle squire, Ostlero hight,
Who will our palfreys slick with wisps of straw,                      50
And in the manger put them oats enough,
And never grease their teeth with candle-snuff.

[_Wife._ That same dwarf's a pretty boy, but the
squire's a groutnol.]

_Ralph._ Knock at the gates, my squire, with stately lance.
                               [_Tim knocks at the door._

    _Enter Tapster._

_Tap._ Who's there?--You're welcome, gentlemen:
will you see a room?

_George._ Right courteous and valiant Knight of the
Burning Pestle, this is the Squire Tapstero.

_Ralph._ Fair Squire Tapstero, I a wandering knight,                  60
Hight of the Burning Pestle, in the quest
Of this fair lady's casket and wrought purse,
Losing myself in this vast wilderness,
Am to this castle well by fortune brought;
Where, hearing of the goodly entertain
Your knight of holy order of the Bell
Gives to all damsels and all errant knights,
I thought to knock, and now am bold to enter.

_Tap._ An't please you see a chamber, you are very
welcome.                                       [_Exeunt._             70

[_Wife._ George, I would have something done, and
I cannot tell what it is.

_Cit._ What is it, Nell?

_Wife._ Why, George, shall Ralph beat nobody again?
prithee, sweetheart, let him.

_Cit._ So he shall, Nell; and if I join with him,
we'll knock them all.]


Scene VII.

_A Room in the House of Venturewell._

    _Enter Humphrey and Venturewell._


[_Wife._ Oh, George, here's Master Humphrey again
now that lost Mistress Luce, and Mistress
Luce's father. Master Humphrey will do
somebody's errand, I warrant him.]

_Hum._ Father, it's true in arms I ne'er shall clasp her;
For she is stoln away by your man Jasper.

[_Wife._ I thought he would tell him.]

_Vent._ Unhappy that I am, to lose my child!
Now I begin to think on Jasper's words,
Who oft hath urged to me thy foolishness:                             10
Why didst thou let her go? thou lov'st her not,
That wouldst bring home thy life, and not bring her.

_Hum._ Father, forgive me. Shall I tell you true?
Look on my shoulders, they are black and blue:
Whilst to and fro fair Luce and I were winding,
He came and basted me with a hedge-binding.

_Vent._ Get men and horses straight: we will be there
Within this hour. You know the place again!

_Hum._ I know the place where he my loins did swaddle;
I'll get six horses, and to each a saddle.                            20

_Vent._ Meantime I will go talk with Jasper's father.
                                     [_Exeunt severally._

[_Wife._ George, what wilt thou lay with me now,
that Master Humphrey has not Mistress Luce
yet? speak, George, what wilt thou lay with
me?

_Cit._ No, Nell; I warrant thee, Jasper is at
Puckeridge with her by this.

_Wife._ Nay, George, you must consider Mistress
Luce's feet are tender; and besides 'tis dark;
and, I promise you truly, I do not see how he                         30
should get out of Waltham-forest with her
yet.

_Cit._ Nay, cony, what wilt thou lay with me, that
Ralph has her not yet?

_Wife._ I will not lay against Ralph, honey, because
I have not spoken with him.]


Scene VIII.

_A Room in Merrythought's House._

    _Enter Merrythought._


[_Wife._ But look, George, peace! here comes the
merry old gentleman again.]

_Mer._ [_Sings._]

  When it was grown to dark midnight,
    And all were fast asleep,
  In came Margaret's grimly ghost,
    And stood at William's feet.

I have money, and meat, and drink beforehand,
till to-morrow at noon; why should I be sad?
methinks I have half-a-dozen jovial spirits
within me!                                                            10

[_Sings._] I am three merry men, and three merry men!
To what end should any man be sad in this
world? give me a man that when he goes to
hanging cries,

  Troul the black bowl to me!

and a woman that will sing a catch in her
travail! I have seen a man come by my door
with a serious face, in a black cloak, without
a hat-band, carrying his head as if he looked
for pins in the street; I have looked out of my                       20
window half a year after, and have spied that
man's head upon London-bridge. 'Tis vile:
never trust a tailor that does not sing at his
work; his mind is of nothing but filching.

[_Wife._ Mark this, George; 'tis worth noting;
Godfrey my tailor, you know, never sings, and
he had fourteen yards to make this gown: and
I'll be sworn, Mistress Penistone the draper's
wife had one made with twelve.]

_Mer._ [_Sings._]

  'Tis mirth that fills the veins with blood,                         30
  More than wine, or sleep, or food;
  Let each man keep his heart at ease
  No man dies of that disease.
  He that would his body keep
  From diseases, must not weep;
  But whoever laughs and sings,
  Never he his body brings
  Into fevers, gouts, or rheums,
  Or lingeringly his lungs consumes,
  Or meets with achès in the bone,                                    40
  Or catarrhs or griping stone;
  But contented lives for aye;
  The more he laughs, the more he may.

[_Wife._ Look, George; how sayst thou by this,
George? is't not a fine old man?--Now,
God's blessing o' thy sweet lips!--When wilt
thou be so merry, George? faith, thou art the
frowningest little thing, when thou art angry,
in a country.

_Cit._ Peace, cony; thou shalt see him taken down                     50
too, I warrant thee.

    _Enter Venturewell._

Here's Luce's father come now.]

_Mer._ [_Sings._]

  As you came from Walsingham,
    From that holy land,
  There met you not with my true love
    By the way as you came?

_Vent._ Oh, Master Merrythought, my daughter's gone!
This mirth becomes you not; my daughter's gone!

_Mer._ [_Sings._]

  Why, an if she be, what care I?
  Or let her come, or go, or tarry.                                   60

_Vent._ Mock not my misery; it is your son
(Whom I have made my own, when all forsook him)
Has stoln my only joy, my child, away.

_Mer._ [_Sings._]

  He set her on a milk-white steed,
    And himself upon a grey;
  He never turned his face again,
    But he bore her quite away.

_Vent._ Unworthy of the kindness I have shown
To thee and thine! too late I well perceive
Thou art consenting to my daughter's loss.                            70

_Mer._ Your daughter! what a stir's here wi' your
daughter? Let her go, think no more on her,
but sing loud. If both my sons were on the
gallows, I would sing,                          [_Sings._

  Down, down, down they fall;
  Down, and arise they never shall.

_Vent._ Oh, might I behold her once again,
And she once more embrace her aged sire!

_Mer._ Fie, how scurvily this goes! "And she once
more embrace her aged sire?" You'll make                              80
a dog on her, will ye? she cares much for her
aged sire, I warrant you.                       [_Sings._

  She cares not for her daddy, nor
    She cares not for her mammy,
  For she is, she is, she is, she is
    My lord of Lowgave's lassy.

_Vent._ For this thy scorn I will pursue that son
Of thine to death.

_Mer._ Do; and when you ha' killed him,         [_Sings._

  Give him flowers enow, palmer, give him flowers enow;               90
  Give him red, and white, and blue, green, and yellow.

_Vent._ I'll fetch my daughter----

_Mer._ I'll hear no more o' your daughter; it spoils
my mirth.

_Vent._ I say, I'll fetch my daughter.

_Mer._ [_Sings._]

  Was never man for lady's sake,
      Down, down,
  Tormented as I poor Sir Guy,
      De derry down,
  For Lucy's sake, that lady bright,                                 100
      Down, down,
  As ever men beheld with eye,
      De derry down.

_Vent._ I'll be revenged, by Heaven! [_Exeunt severally._

[_Wife._ How dost thou like this, George?

_Cit._ Why, this is well, cony; but if Ralph were
hot once, thou shouldst see more.               [_Music._

_Wife._ The fiddlers go again, husband.

_Cit._ Ay, Nell; but this is scurvy music. I gave
the whoreson gallows money, and I think he                           110
has not got me the waits of Southwark: if I
hear 'em not anon, I'll twinge him by the
ears.--You musicians, play Baloo!

_Wife._ No, good George, let's ha' Lachrymæ!

_Cit._ Why, this is it, cony.

_Wife._ It's all the better, George. Now, sweet
lamb, what story is that painted upon the cloth?
the Confutation of St Paul?

_Cit._ No, lamb; that's Ralph and Lucrece.

_Wife._ Ralph and Lucrece! which Ralph? our                          120
Ralph?

_Cit._ No, mouse; that was a Tartarian.

_Wife._ A Tartarian! Well, I would the fiddlers had
done, that we might see our Ralph again!]




Act Third.


Scene I.

_Waltham-forest._

    _Enter Jasper and Luce._


_Jasp._ Come, my dear dear; though we have lost our way
We have not lost ourselves. Are you not weary
With this night's wandering, broken from your rest,
And frighted with the terror that attends
The darkness of this wild unpeopled place?

_Luce._ No, my best friend; I cannot either fear,
Or entertain a weary thought, whilst you
(The end of all my full desires) stand by me:
Let them that lose their hopes, and live to languish
Amongst the number of forsaken lovers,                                10
Tell the long weary steps, and number time,
Start at a shadow, and shrink up their blood,
Whilst I (possessed with all content and quiet)
Thus take my pretty love, and thus embrace him.

_Jasp._ You have caught me, Luce, so fast, that, whilst I live,
I shall become your faithful prisoner,
And wear these chains for ever. Come, sit down,
And rest your body, too, too delicate
For these disturbances.--[_They sit down_] So: will you sleep?
Come, do not be more able than you are;                               20
I know you are not skilful in these watches,
For women are no soldiers: be not nice,
But take it; sleep, I say.

_Luce._ I cannot sleep;
Indeed, I cannot, friend.

_Jasp._ Why, then, we'll sing,
And try how that will work upon our senses.

_Luce._ I'll sing, or say, or any thing but sleep.

_Jasp._ Come, little mermaid, rob me of my heart
With that enchanting voice.

_Luce._ You mock me, Jasper.                [_They sing._

_Jasp._ Tell me, dearest, what is love?

_Luce._ 'Tis a lightning from above;                                  30
        'Tis an arrow, 'tis a fire,
        'Tis a boy they call Desire;
            'Tis a smile
            Doth beguile

_Jasp._ The poor hearts of men that prove.
        Tell me more, are women true?

_Luce._ Some love change, and so do you.

_Jasp._   Are they fair and never kind?

_Luce._   Yes, when men turn with the wind.

_Jasp._     Are they froward?                                         40

_Luce._     Ever toward
        Those that love, to love anew.

_Jasp._ Dissemble it no more; I see the god
Of heavy sleep lay on his heavy mace
Upon your eyelids.

_Luce._ I am very heavy.                       [_Sleeps._

_Jasp._ Sleep, sleep; and quiet rest crown thy sweet thoughts!
Keep from her fair blood distempers, startings,
Horrors, and fearful shapes! let all her dreams
Be joys, and chaste delights, embraces, wishes,
And such new pleasures as the ravished soul                           50
Gives to the senses!--So; my charms have took.--
Keep her, you powers divine, whilst I contemplate
Upon the wealth and beauty of her mind!
She is only fair and constant, only kind,
And only to thee, Jasper. Oh, my joys!
Whither will you transport me? let not fulness
Of my poor buried hopes come up together
And overcharge my spirits! I am weak.
Some say (however ill) the sea and women
Are governed by the moon; both ebb and flow,                          60
Both full of changes; yet to them that know,
And truly judge, these but opinions are,
And heresies, to bring on pleasing war
Between our tempers, that without these were
Both void of after-love and present fear,
Which are the best of Cupid. Oh, thou child
Bred from despair, I dare not entertain thee,
Having a love without the faults of women,
And greater in her perfect goods than men!
Which to make good, and please myself the stronger,                   70
Though certainly I am certain of her love,
I'll try her, that the world and memory
May sing to after-times her constancy.--
                                      [_Draws his sword._
Luce! Luce! awake!

_Luce._ Why do you fright me, friend,
With those distempered looks? what makes your sword
Drawn in your hand? who hath offended you?
I prithee, Jasper, sleep; thou art wild with watching.

_Jasp._ Come, make your way to Heaven, and bid the world,
With all the villanies that stick upon it,
Farewell; you're for another life.                                    80

_Luce._ Oh, Jasper,
How have my tender years committed evil,
Especially against the man I love,
Thus to be cropped untimely?

_Jasp._ Foolish girl,
Canst thou imagine I could love his daughter
That flung me from my fortune into nothing?
Dischargèd me his service, shut the doors
Upon my poverty, and scorned my prayers,
Sending me, like a boat without a mast,
To sink or swim? Come; by this hand you die;
I must have life and blood, to satisfy                                90
Your father's wrongs.

[_Wife._ Away, George, away! raise the watch at
Ludgate, and bring a mittimus from the justice
for this desperate villain!--Now, I charge you,
gentlemen, see the king's peace kept!--Oh,
my heart, what a varlet's this, to offer manslaughter
upon the harmless gentlewoman!

_Cit._ I warrant thee, sweetheart, we'll have him
hampered.]

_Luce._ Oh, Jasper, be not cruel!                                    100
If thou wilt kill me, smile, and do it quickly,
And let not many deaths appear before me;
I am a woman, made of fear and love,
A weak, weak woman; kill not with thy eyes,
They shoot me through and through: strike, I am ready;
And, dying, still I love thee.

    _Enter Venturewell, Humphrey and Attendants._

_Vent._ Whereabouts?

_Jasp._ No more of this; now to myself again.   [_Aside._

_Hum._ There, there he stands, with sword, like martial knight,
Drawn in his hand; therefore beware the fight,
You that be wise; for, were I good Sir Bevis,                        110
I would not stay his coming, by your leavès.

_Vent._ Sirrah, restore my daughter!

_Jasp._ Sirrah, no.

_Vent._ Upon him, then!

          [_They attack Jasper, and force Luce from him._

[_Wife._ So; down with him, down with him, down
with him! cut him i' the leg, boys, cut him i'
the leg!]

_Vent._ Come your ways, minion: I'll provide a cage
For you, you're grown so tame.--Horse her away.

_Hum._ Truly, I'm glad your forces have the day.

                             [_Exeunt all except Jasper._

_Jasp._ They are gone, and I am hurt; my love is lost,
Never to get again. Oh, me unhappy!                                  121
Bleed, bleed and die! I cannot. Oh, my folly,
Thou hast betrayed me! Hope, where art thou fled?
Tell me, if thou be'st any where remaining,
Shall I but see my love again? Oh, no!
She will not deign to look upon her butcher,
Nor is it fit she should; yet I must venture.
Oh, Chance, or Fortune, or whate'er thou art,
That men adore for powerful, hear my cry,
And let me loving live, or losing die!           [_Exit._            130

[_Wife._ Is 'a gone, George?

_Cit._ Ay, cony.

_Wife._ Marry, and let him go, sweetheart. By the
faith o' my body, 'a has put me into such a
fright, that I tremble (as they say) as 'twere an
aspen-leaf. Look o' my little finger, George,
how it shakes. Now, in truth, every member of
my body is the worse for't.

_Cit._ Come, hug in mine arms, sweet mouse; he shall
not fright thee any more. Alas, mine own dear                        140
heart, how it quivers!]


Scene II.

_A Room in the Bell-Inn, Waltham._

    _Enter Mistress Merrythought, Ralph, Michael, Tim,
    George, Host and Tapster._


[_Wife._ Oh, Ralph! how dost thou, Ralph? How
hast thou slept to-night? has the knight used
thee well?

_Cit._ Peace, Nell; let Ralph alone.]

_Tap._ Master, the reckoning is not paid.

_Ralph._ Right courteous knight, who, for the order's sake
Which thou hast ta'en, hang'st out the holy Bell,
As I this flaming Pestle bear about,
We render thanks to your puissant self,
Your beauteous lady, and your gentle squires,                         10
For thus refreshing of our wearied limbs,
Stiffened with hard achievements in wild desert.

_Tap._ Sir, there is twelve shillings to pay.

_Ralph._ Thou merry Squire Tapstero, thanks to thee
For comforting our souls with double jug:
And, if adventurous fortune prick thee forth,
Thou jovial squire, to follow feats of arms,
Take heed thou tender every lady's cause,
Every true knight, and every damsel fair;
But spill the blood of treacherous Saracens,                          20
And false enchanters that with magic spells
Have done to death full many a noble knight.

_Host._ Thou valiant Knight of the Burning Pestle,
give ear to me; there is twelve shillings to pay,
and, as I am a true knight, I will not bate a
penny.

[_Wife._ George, I prithee, tell me, must Ralph pay
twelve shillings now?

_Cit._ No, Nell, no; nothing but the old knight is
merry with Ralph.                                                     30

_Wife._ Oh, is't nothing else? Ralph will be as merry
as he.]

_Ralph._ Sir Knight, this mirth of yours becomes you well;
But, to requite this liberal courtesy,
If any of your squires will follow arms,
He shall receive from my heroic hand
A knighthood, by the virtue of this Pestle.

_Host._ Fair knight, I thank you for your noble offer:
Therefore, gentle knight,
Twelve shillings you must pay, or I must cap you.                     40

[_Wife._ Look, George! did not I tell thee as
much? the knight of the Bell is in earnest.
Ralph shall not be beholding to him: give him
his money, George, and let him go snick up.

_Cit._ Cap Ralph! no.--Hold your hand, Sir
Knight of the Bell; there's your money [_gives
money_]: have you any thing to say to Ralph
now? Cap Ralph!

_Wife._ I would you should know it, Ralph has
friends that will not suffer him to be capt for                       50
ten times so much, and ten times to the end of
that.--Now take thy course, Ralph.]

_Mist. Mer._ Come, Michael; thou and I will go
home to thy father; he hath enough left to
keep us a day or two, and we'll set fellows
abroad to cry our purse and our casket: shall
we, Michael?

_Mich._ Ay, I pray, mother; in truth my feet are
full of chilblains with travelling.

[_Wife._ Faith, and those chilblains are a foul trouble.              60
Mistress Merrythought, when your youth comes
home, let him rub all the soles of his feet, and
his heels, and his ancles with a mouse-skin;
or, if none of your people can catch a mouse,
when he goes to bed, let him roll his feet in
the warm embers, and, I warrant you, he shall
be well; and you may make him put his fingers
between his toes, and smell to them; it's very
sovereign for his head, if he be costive.]

_Mist. Mer._ Master Knight of the Burning Pestle,                     70
my son Michael and I bid you farewell: I
thank your worship heartily for your kindness.

_Ralph._ Farewell, fair lady, and your tender squire.
If pricking through these deserts, I do hear
Of any traitorous knight, who through his guile
Hath light upon your casket and your purse,
I will despoil him of them, and restore them.

_Mist. Mer._ I thank your worship.  [_Exit with Michael._

_Ralph._ Dwarf, bear my shield; squire, elevate my lance:--
And now farewell, you Knight of holy Bell.                            80

[_Cit._ Ay, ay, Ralph, all is paid.]

_Ralph._ But yet, before I go, speak, worthy knight,
Of aught you do of sad adventures know,
Where errant knight may through his prowess win
Eternal fame, and free some gentle souls
From endless bonds of steel and lingering pain.

_Host._ Sirrah, go to Nick the barber, and bid him
prepare himself, as I told you before, quickly.

_Tap._ I am gone, sir.                           [_Exit._

_Host._ Sir Knight, this wilderness affordeth none                    90
But the great venture, where full many a knight
Hath tried his prowess, and come off with shame;
And where I would not have you lose your life
Against no man, but furious fiend of hell.

_Ralph._ Speak on, Sir Knight; tell what he is and where:
For here I vow, upon my blazing badge,
Never to blaze a day in quietness,
But bread and water will I only eat,
And the green herb and rock shall be my couch,
Till I have quelled that man, or beast, or fiend,                    100
That works such damage to all errant knights.

_Host._ Not far from hence, near to a craggy cliff,
At the north end of this distressèd town,
There doth stand a lowly house,
Ruggedly builded, and in it a cave
In which an ugly giant now doth won,
Ycleped Barbarossa: in his hand
He shakes a naked lance of purest steel,
With sleeves turned up; and him before he wears
A motly garment, to preserve his clothes                             110
From blood of those knights which he massacres
And ladies gent: without his door doth hang
A copper basin on a prickant spear;
At which no sooner gentle knights can knock,
But the shrill sound fierce Barbarossa hears,
And rushing forth, brings in the errant knight,
And sets him down in an enchanted chair;
Then with an engine, which he hath prepared,
With forty teeth, he claws his courtly crown;
Next makes him wink, and underneath his chin                         120
He plants a brazen piece of mighty bord,
And knocks his bullets round about his cheeks;
Whilst with his fingers, and an instrument
With which he snaps his hair off, he doth fill
The wretch's ears with a most hideous noise:
Thus every knight-adventurer he doth trim,
And now no creature dares encounter him.

_Ralph._ In God's name, I will fight with him. Kind sir,
Go but before me to this dismal cave,
Where this huge giant Barbarossa dwells,                             130
And, by that virtue that brave Rosicleer
That damnèd brood of ugly giants slew,
And Palmerin Frannarco overthrew,
I doubt not but to curb this traitor foul,
And to the devil send his guilty soul.

_Host._ Brave-sprighted knight, thus far I will perform
This your request; I'll bring you within sight
Of this most loathsome place, inhabited
By a more loathsome man; but dare not stay,
For his main force swoops all he sees away.                          140

_Ralph._ Saint George, set on before! march squire and page!
                                               [_Exeunt._

[_Wife._ George, dost think Ralph will confound the
giant?

_Cit._ I hold my cap to a farthing he does: why,
Nell, I saw him wrestle with the great Dutchman,
and hurl him.

_Wife._ Faith, and that Dutchman was a goodly man,
if all things were answerable to his bigness.
And yet they say there was a Scotchman higher
than he, and that they two and a knight met,                         150
and saw one another for nothing. But of all
the sights that ever were in London, since I
was married, methinks the little child that was
so fair grown about the members was the
prettiest; that and the hermaphrodite.

_Cit._ Nay, by your leave, Nell, Ninivie was better.

_Wife._ Ninivie! oh, that was the story of Jone and
the wall, was it not, George?

_Cit._ Yes, lamb.]


Scene III.

_The Street before Merrythought's House._

    _Enter Mrs Merrythought._


[_Wife._ Look, George, here comes Mistress Merrythought
again! and I would have Ralph come
and fight with the giant; I tell you true, I long
to see't.

_Cit._ Good Mistress Merrythought, begone, I pray
you, for my sake; I pray you, forbear a little;
you shall have audience presently; I have a
little business.

_Wife._ Mistress Merrythought, if it please you to
refrain your passion a little, till Ralph have                        10
despatched the giant out of the way, we shall
think ourselves much bound to you. [_Exit
Mistress Merrythought._] I thank you, good
Mistress Merrythought.

_Cit._ Boy, come hither. [_Enter Boy._] Send away
Ralph and this whoreson giant quickly.

_Boy._ In good faith, sir, we cannot; you'll utterly
spoil our play, and make it to be hissed; and
it cost money; you will not suffer us to go on
with our plot.--I pray, gentlemen, rule him.                          20

_Cit._ Let him come now and despatch this, and I'll
trouble you no more.

_Boy._ Will you give me your hand of that?

_Wife._ Give him thy hand, George, do; and I'll kiss
him. I warrant thee, the youth means plainly.

_Boy._ I'll send him to you presently.

_Wife._ [_Kissing him._] I thank you, little youth.
[_Exit Boy._] Faith, the child hath a sweet
breath, George; but I think it be troubled
with the worms; carduus benedictus and                                30
mare's milk were the only thing in the
world for't.


Scene IV.

    _Before a Barber's Shop, Waltham._

_Enter Ralph, Host, Tim, and George._


_Wife._ Oh, Ralph's here, George!--God send thee
good luck, Ralph!]

_Host._ Puissant knight, yonder his mansion is.
Lo, where the spear and copper basin are!
Behold that string, on which hangs many a tooth,
Drawn from the gentle jaw of wandering knights!
I dare not stay to sound; he will appear.        [_Exit._

_Ralph._ Oh, faint not, heart! Susan, my lady dear,
The cobbler's maid in Milk-street, for whose sake
I take these arms, oh, let the thought of thee                        10
Carry thy knight through all adventurous deeds;
And, in the honour of thy beauteous self,
May I destroy this monster Barbarossa!--
Knock, squire, upon the basin, till it break
With the shrill strokes, or till the giant speak.
                            [_Tim knocks upon the basin._

    _Enter Barber._

[_Wife._ Oh, George, the giant, the giant!--Now,
Ralph for thy life!]

_Bar._ What fond unknowing wight is this, that dares
So rudely knock at Barbarossa's cell,
Where no man comes but leaves his fleece behind?                      20

_Ralph._ I, traitorous caitiff, who am sent by fate
To punish all the sad enormities
Thou hast committed against ladies gent
And errant knights. Traitor to God and men,
Prepare thyself; this is the dismal hour
Appointed for thee to give strict account
Of all thy beastly treacherous villanies.

_Bar._ Fool-hardy knight, full soon thou shalt aby
This fond reproach: thy body will I bang;
                                  [_Takes down his pole._

And, lo, upon that string thy teeth shall hang!                       30
Prepare thyself, for dead soon shalt thou be.

_Ralph._ Saint George for me!              [_They fight._

_Bar._ Gargantua for me!

[_Wife._ To him, Ralph, to him! hold up the giant;
set out thy leg before, Ralph!

_Cit._ Falsify a blow, Ralph, falsify a blow! the
giant lies open on the left side.

_Wife._ Bear't off, bear't off still! there, boy!--
Oh, Ralph's almost down, Ralph's almost down!]

_Ralph._ Susan, inspire me! now have up again.

[_Wife._ Up, up, up, up, up! so, Ralph! down with                     40
him, down with him, Ralph!

_Cit._ Fetch him o'er the hip, boy!
                         [_Ralph knocks down the Barber._

_Wife._ There, boy! kill, kill, kill, kill, kill, Ralph!

_Cit._ No, Ralph; get all out of him first.]

_Ralph._ Presumptuous man, see to what desperate end
Thy treachery hath brought thee! The just gods,
Who never prosper those that do despise them,
For all the villanies which thou hast done
To knights and ladies, now have paid thee home
By my stiff arm, a knight adventurous.                                50
But say, vile wretch, before I send thy soul
To sad Avernus, (whither it must go)
What captives holdst thou in thy sable cave?

_Bar._ Go in, and free them all; thou hast the day.

_Ralph._ Go, squire and dwarf, search in this dreadful cave,
And free the wretched prisoners from their bonds.
                                [_Exeunt Tim and George._

_Bar._ I crave for mercy, as thou art a knight,
And scorn'st to spill the blood of those that beg.

_Ralph._ Thou show'd'st no mercy, nor shalt thou have any;
Prepare thyself, for thou shalt surely die.                           60

    _Re-enter Tim leading a Man winking, with a Basin
    under his Chin._

_Tim._ Behold, brave knight, here is one prisoner,
Whom this vile man hath usèd as you see.

[_Wife._ This is the first wise word I heard the
squire speak.]

_Ralph._ Speak what thou art, and how thou hast been used,
That I may give him condign punishment.

_Man._ I am a knight that took my journey post
Northward from London; and in courteous wise
This giant trained me to his loathsome den,
Under pretence of killing of the itch;                                70
And all my body with a powder strewed,
That smarts and stings; and cut away my beard,
And my curled locks wherein were ribands tied;
And with a water washed my tender eyes,
(Whilst up and down about me still he skipt,)
Whose virtue is, that, till my eyes be wiped
With a dry cloth, for this my foul disgrace,
I shall not dare to look a dog i' the face.

[_Wife._ Alas, poor knight!--Relieve him, Ralph;
relieve poor knights, whilst you live.]                               80

_Ralph._ My trusty squire, convey him to the town,
Where he may find relief.--Adieu, fair knight.
         [_Exeunt Man with Tim, who presently re-enters._

    _Re-enter George, leading a second Man, with a patch
    over his nose._

_George._ Puissant Knight, of the Burning Pestle hight,
See here another wretch, whom this foul beast
Hath scotched and scored in this inhuman wise.

_Ralph._ Speak me thy name, and eke thy place of birth,
And what hath been thy usage in this cave.

_2nd Man._ I am a knight, Sir Pockhole is my name,
And by my birth I am a Londoner,
Free by my copy, but my ancestors                                     90
Were Frenchmen all; and riding hard this way
Upon a trotting horse, my bones did ache;
And I, faint knight, to ease my weary limbs,
Light at this cave; when straight this furious fiend,
With sharpest instrument of purest steel,
Did cut the gristle of my nose away,
And in the place this velvet plaster stands:
Relieve me, gentle knight, out of his hands!

[_Wife._ Good Ralph, relieve Sir Pockhole, and
send him away; for in truth his breath stinks.]                      100

_Ralph._ Convey him straight after the other knight.--
Sir Pockhole, fare you well.

_2nd Man._ Kind sir, good night.
            [_Exit with George, who presently re-enters._

_3rd Man_ [_within_]. Deliver us!        [_Cries within._

_Woman_ [_within_]. Deliver us!

[_Wife._ Hark, George, what a woeful cry there is!
I think some woman lies-in there.]

_3rd Man_ [_within_]. Deliver us!

_Women_ [_within_]. Deliver us!

_Ralph._ What ghastly noise is this? Speak, Barbarossa,
Or, by this blazing steel, thy head goes off!                        110

_Bar._ Prisoners of mine, whom I in diet keep.
Send lower down into the cave,
And in a tub that's heated smoking hot,
There may they find them, and deliver them.

_Ralph._ Run, squire and dwarf; deliver them with speed.
                                 [_Exeunt Tim and George._

[_Wife._ But will not Ralph kill this giant? Surely
I am afraid, if he let him go, he will do as
much hurt as ever he did.

_Cit._ Not so, mouse, neither, if he could convert
him.                                                                 120

_Wife._ Ay, George, if he could convert him; but a
giant is not so soon converted as one of us
ordinary people. There's a pretty tale of a
witch, that had the devil's mark about her,
(God bless us!) that had a giant to her son,
that was called Lob-lie-by-the-fire; didst
never hear it, George?

_Cit._ Peace, Nell, here comes the prisoners.]

    _Re-enter Tim, leading a third Man, with a glass of lotion
    in his hand, and George leading a Woman, with diet-bread
    and drink in her hand._

_George._ Here be these pinèd wretches, manful knight,
That for this six weeks have not seen a wight.                       130

_Ralph._ Deliver what you are, and how you came
To this sad cave, and what your usage was?

_3rd Man._ I am an errant knight that followed arms
With spear and shield; and in my tender years
I stricken was with Cupid's fiery shaft,
And fell in love with this my lady dear,
And stole her from her friends in Turnbull-street,
And bore her up and down from town to town,
Where we did eat and drink, and music hear;
Till at the length at this unhappy town                              140
We did arrive, and coming to this cave,
This beast us caught, and put us in a tub,
Where we this two months sweat, and should have done
Another month, if you had not relieved us.

_Woman._ This bread and water hath our diet been,
Together with a rib cut from a neck
Of burned mutton; hard hath been our fare:
Release us from this ugly giant's snare!

_3rd Man._ This hath been all the food we have received;
But only twice a-day, for novelty,                                   150
He gave a spoonful of this hearty broth
To each of us, through this same slender quill.
                                  [_Pulls out a syringe._

_Ralph._ From this infernal monster you shall go,
That useth knights and gentle ladies so!--
Convey them hence.

               [_3rd Man and Woman are led off by Tim and
                         George, who presently re-enter._

[_Cit._ Cony, I can tell thee, the gentlemen like Ralph.

_Wife._ Ay, George, I see it well enough.--Gentlemen,
I thank you all heartily for gracing my
man Ralph; and I promise you, you shall see
him oftener.]                                                        160

_Bar._ Mercy, great knight! I do recant my ill,
And henceforth never gentle blood will spill.

_Ralph._ I give thee mercy; but yet shalt thou swear
Upon my Burning Pestle, to perform
Thy promise utterèd.

_Bar._ I swear and kiss.            [_Kisses the Pestle._

_Ralph._ Depart, then, and amend.--       [_Exit Barber._
Come, squire and dwarf; the sun grows towards his set,
And we have many more adventures yet.          [_Exeunt._

[_Cit._ Now Ralph is in this humour, I know he
would ha' beaten all the boys in the house, if
they had been set on him.                                            170

_Wife._ Ay, George, but it is well as it is: I warrant
you, the gentlemen do consider what it is to
overthrow a giant.]


Scene V.

_The Street before Merrythought's House._

    _Enter Mistress Merrythought and Michael._


[_Wife._ But, look, George; here comes Mistress
Merrythought, and her son Michael.--Now
you are welcome, Mistress Merrythought; now
Ralph has done, you may go on.]

_Mist. Mer._ Mick, my boy--

_Mich._ Ay, forsooth, mother.

_Mist. Mer._ Be merry, Mick; we are at home now;
where, I warrant you, you shall find the house
flung out of the windows. [_Music within._]
Hark! hey, dogs, hey! this is the old world,                          10
i'faith, with my husband. If I get in among
them, I'll play them such a lesson, that they
shall have little list to come scraping hither
again--Why, Master Merrythought! husband!
Charles Merrythought!

_Mer._ [_Appearing above, and singing._]

  If you will sing, and dance, and laugh,
    And hollow, and laugh again,
  And then cry, "there, boys, there!" why, then,
    One, two, three, and four,
    We shall be merry within this hour.                                 20

_Mist. Mer._ Why, Charles, do you not know your
own natural wife? I say, open the door, and
turn me out those mangy companions; 'tis more
than time that they were fellow and fellow-like
with you. You are a gentleman, Charles, and
an old man, and father of two children; and I
myself, (though I say it) by my mother's side
niece to a worshipful gentleman and a conductor;
he has been three times in his majesty's service
at Chester, and is now the fourth time, God                           30
bless him and his charge, upon his journey.

_Mer._ [_Sings._]

  Go from my window, love, go;
  Go from my window, my dear!
    The wind and the rain
    Will drive you back again;
  You cannot be lodged here.

Hark you, Mistress Merrythought, you that
walk upon adventures, and forsake your husband,
because he sings with never a penny in his purse;
what, shall I think myself the worse? Faith,                          40
no, I'll be merry. You come not here; here's
none but lads of mettle, lives of a hundred years
and upwards; care never drunk their bloods,
nor want made them warble "Heigh-ho, my
heart is heavy."

_Mist. Mer._ Why, Master Merrythought, what am
I, that you should laugh me to scorn thus
abruptly? am I not your fellow-feeler, as we
may say, in all our miseries? your comforter in
health and sickness? have I not brought you                           50
children? are they not like you, Charles? look
upon thine own image, hard-hearted man! and
yet for all this----

_Mer._ [_Sings._]

  Begone, begone, my juggy, my puggy,
  Begone, my love, my dear!
    The weather is warm,
    'Twill do thee no harm:
  Thou canst not be lodged here.--

Be merry, boys! some light music, and more
wine!                                      [_Exit above._             60

[_Wife._ He's not in earnest, I hope, George, is he?

_Cit._ What if he be, sweetheart?

_Wife._ Marry, if he be, George, I'll make bold to
tell him he's an ingrant old man to use his bed-fellow
so scurvily.

_Cit._ What! how does he use her, honey?

_Wife._ Marry, come up, sir saucebox! I think you'll
take his part, will you not? Lord, how hot
you have grown! you are a fine man, an' you
had a fine dog; it becomes you sweetly!                               70

_Cit._ Nay, prithee, Nell, chide not; for, as I am an
honest man and a true Christian grocer, I do not
like his doings.

_Wife._ I cry you mercy, then, George! you know
we are all frail and full of infirmities.--D'ye
hear, Master Merrythought? may I crave a
word with you?]

_Mer._ [_Appearing above._] Strike up lively, lads!

[_Wife._ I had not thought, in truth, Master Merrythought,
that a man of your age and discretion,                                80
as I may say, being a gentleman, and therefore
known by your gentle conditions, could have
used so little respect to the weakness of his
wife; for your wife is your own flesh, the
staff of your age, your yoke-fellow, with
whose help you draw through the mire of
this transitory world; nay, she's your own rib:
and again----]

_Mer._ [_Sings._]

  I came not hither for thee to teach,
  I have no pulpit for thee to preach,                                90
  I would thou hadst kissed me under the breech,
    As thou art a lady gay.

[_Wife._ Marry, with a vengeance! I am heartily sorry
for the poor gentlewoman: but if I were thy
wife, i'faith, greybeard, i'faith----

_Cit._ I prithee, sweet honeysuckle, be content.

_Wife._ Give me such words, that am a gentlewoman
born! hang him, hoary rascal! Get me some
drink, George; I am almost molten with
fretting: now, beshrew his knave's heart for                         100
it!]                                     [_Exit Citizen._

_Mer._ Play me a light lavolta. Come, be frolic.
Fill the good fellows wine.

_Mist. Mer._ Why, Master Merrythought, are you
disposed to make me wait here? You'll open,
I hope; I'll fetch them that shall open else.

_Mer._ Good woman, if you will sing, I'll give you
something; if not----

  [_Sings._] You are no love for me, Margaret,
                I am no love for you.--                              110

Come aloft, boys, aloft!                   [_Exit above._

_Mist. Mer._ Now a churl's fart in your teeth, sir!--
Come, Mick, we'll not trouble him; 'a shall
not ding us i' the teeth with his bread and his
broth, that he shall not. Come, boy; I'll
provide for thee, I warrant thee. We'll go to
Master Venturewell's, the merchant: I'll get
his letter to mine host of the Bell in Waltham;
there I'll place thee with the tapster: will not
that do well for thee, Mick? and let me alone                        120
for that old cuckoldly knave your father; I'll
use him in his kind, I warrant ye.             [_Exeunt._

    _Re-enter Citizen with Beer._

[_Wife._ Come, George, where's the beer?

_Cit._ Here, love.

_Wife._ This old fornicating fellow will not out of my
mind yet.--Gentlemen, I'll begin to you all;
and I desire more of your acquaintance with
all my heart. [_Drinks._] Fill the gentlemen
some beer, George. [_Enter Boy._] Look,
George, the little boy's come again: methinks                        130
he looks something like the Prince of Orange
in his long stocking, if he had a little harness
about his neck. George, I will have him
dance fading.--Fading is a fine jig, I'll
assure you, gentlemen.--Begin, brother. [_Boy
dances._] Now 'a capers, sweetheart!--Now a
turn o' the toe, and then tumble! cannot you
tumble, youth?

_Boy._ No, indeed, forsooth.

_Wife._ Nor eat fire?                                                140

_Boy._ Neither.

_Wife._ Why, then, I thank you heartily; there's
twopence to buy you points withal.]




Act Fourth.


Scene I.

_A Street._

    _Enter Jasper and Boy._


_Jasp._ There, boy, deliver this; but do it well.
Hast thou provided me four lusty fellows,
                                       [_Gives a letter._
Able to carry me? and art thou perfect
In all thy business?

_Boy._ Sir, you need not fear;
I have my lesson here, and cannot miss it:
The men are ready for you, and what else
Pertains to this employment.

_Jasp._ There, my boy;
Take it, but buy no land.                 [_Gives money._

_Boy._ Faith, sir, 'twere rare
To see so young a purchaser. I fly,
And on my wings carry your destiny.                                   10

_Jasp._ Go, and be happy! [_Exit Boy._] Now, my latest hope,
Forsake me not, but fling thy anchor out,
And let it hold! Stand fixed, thou rolling stone,
Till I enjoy my dearest! Hear me, all
You powers, that rule in men, celestial!         [_Exit._

[_Wife._ Go thy ways; thou art as crooked a sprig
as ever grew in London. I warrant him, he'll
come to some naughty end or other; for his
looks say no less: besides, his father (you
know, George) is none of the best; you heard                          20
him take me up like a flirt-gill, and sing
bawdy songs upon me; but, i'faith, if I live,
George,----

_Cit._ Let me alone, sweetheart: I have a trick in
my head shall lodge him in the Arches for one
year, and make him sing _peccavi_ ere I leave
him; and yet he shall never know who hurt
him neither.

_Wife._ Do, my good George, do!

_Cit._ What shall we have Ralph do now, boy?                          30

_Boy._ You shall have what you will, sir.

_Cit._ Why, so, sir; go and fetch me him then, and
let the Sophy of Persia come and christen him
a child.

_Boy._ Believe me, sir, that will not do so well; 'tis
stale; it has been had before at the Red Bull.

_Wife._ George, let Ralph travel over great hills, and
let him be very weary, and come to the King
of Cracovia's house, covered with black velvet;
and there let the king's daughter stand in her                        40
window, all in beaten gold, combing her golden
locks with a comb of ivory; and let her spy
Ralph, and fall in love with him, and come
down to him, and carry him into her father's
house; and then let Ralph talk with her.

_Cit._ Well said, Nell; it shall be so.--Boy, let's
ha't done quickly.

_Boy._ Sir, if you will imagine all this to be done
already, you shall hear them talk together; but
we cannot present a house covered with black                          50
velvet, and a lady in beaten gold.

_Cit._ Sir boy, let's ha't as you can, then.

_Boy._ Besides, it will show ill-favouredly to have a
grocer's prentice to court a king's daughter.

_Cit._ Will it so, sir? you are well read in histories!
I pray you, what was Sir Dagonet? was not he
prentice to a grocer in London? Read the
play of "The Four Prentices of London,"
where they toss their pikes so. I pray you,
fetch him in, sir, fetch him in.                                      60

_Boy._ It shall be done.--It is not our fault, gentlemen.
                                                 [_Exit._

_Wife._ Now we shall see fine doings, I warrant ye,
George.]


Scene II.

_A Hall in the King of Moldavia's Court._

    _Enter Pompiona, Ralph, Tim, and George._


[_Wife._ Oh, here they come! how prettily the King
of Cracovia's daughter is dressed!

_Cit._ Ay, Nell, it is the fashion of that country, I
warrant ye.]

_Pomp._ Welcome, Sir Knight, unto my father's court,
King of Moldavia; unto me Pompiona,
His daughter dear! But, sure, you do not like
Your entertainment, that will stay with us
No longer but a night.

_Ralph._ Damsel right fair,
I am on many sad adventures bound,                                    10
That call me forth into the wilderness;
Besides, my horse's back is something galled,
Which will enforce me ride a sober pace.
But many thanks, fair lady, be to you
For using errant knight with courtesy!

_Pomp._ But say, brave knight, what is your name and birth?

_Ralph._ My name is Ralph; I am an Englishman,
(As true as steel, a hearty Englishman,)
And prentice to a grocer in the Strand
By deed indent, of which I have one part:                             20
But fortune calling me to follow arms,
On me this only order I did take
Of Burning Pestle, which in all men's eyes
I bear, confounding ladies' enemies.

_Pomp._ Oft have I heard of your brave countrymen,
And fertile soil and store of wholesome food;
My father oft will tell me of a drink
In England found, and nipitato called,
Which driveth all the sorrow from your hearts.

_Ralph._ Lady, 'tis true; you need not lay your lips                  30
To better nipitato than there is.

_Pomp._ And of a wild fowl he will often speak,
Which powdered-beef-and-mustard callèd is:
For there have been great wars 'twixt us and you;
But truly, Ralph, it was not 'long of me.
Tell me then, Ralph, could you contented be
To wear a lady's favour in your shield?

_Ralph._ I am a knight of a religious order,
And will not wear a favour of a lady
That trusts in Antichrist and false traditions.                       40

[_Cit._ Well said, Ralph! convert her, if thou canst.]

_Ralph._ Besides, I have a lady of my own
In merry England, for whose virtuous sake
I took these arms; and Susan is her name,
A cobbler's maid in Milk Street; whom I vow
Ne'er to forsake whilst life and Pestle last.

_Pomp._ Happy that cobbling dame, whoe'er she be,
That for her own, dear Ralph, hath gotten thee!
Unhappy I, that ne'er shall see the day
To see thee more, that bear'st my heart away!                         50

_Ralph._ Lady, farewell; I needs must take my leave.

_Pomp._ Hard-hearted Ralph, that ladies dost deceive!

[_Cit._ Hark thee, Ralph: there's money for thee
[_Gives money_]; give something in the King of
Cracovia's house; be not beholding to him.]

_Ralph._ Lady, before I go, I must remember
Your father's officers, who truth to tell,
Have been about me very diligent:
Hold up thy snowy hand, thou princely maid!
There's twelve-pence for your father's chamberlain;
And another shilling for his cook,                                    61
For, by my troth, the goose was roasted well;
And twelve-pence for your father's horse-keeper,
For 'nointing my horse-back, and for his butter
There is another shilling; to the maid
That washed my boot-hose there's an English groat
And two-pence to the boy that wiped my boots;
And last, fair lady, there is for yourself
Three-pence, to buy you pins at Bumbo-fair.

_Pomp._ Full many thanks; and I will keep them safe                   70
Till all the heads be off, for thy sake, Ralph.

_Ralph._ Advance, my squire and dwarf! I cannot stay.

_Pomp._ Thou kill'st my heart in passing thus away.
                                               [_Exeunt._

[_Wife._ I commend Ralph yet, that he will not stoop
to a Cracovian; there's properer women in
London than any are there, I-wis.


Scene III.

_A Room in the House of Venturewell._

    _Enter Venturewell, Humphrey, Luce, and Boy._


[_Wife._ But here comes Master Humphrey and his
love again now, George.

_Cit._ Ay, cony; peace.]

_Vent._ Go, get you up; I will not be entreated;
And, gossip mine, I'll keep you sure hereafter
From gadding out again with boys and unthrifts:
Come, they are women's tears; I know your fashion.--
Go, sirrah, lock her in, and keep the key
Safe as you love your life.       [_Exeunt Luce and Boy._

                            Now, my son Humphrey,
You may both rest assurèd of my love                                  10
In this, and reap your own desire.

_Hum._ I see this love you speak of, through your daughter,
Although the hole be little; and hereafter
Will yield the like in all I may or can,
Fitting a Christian and a gentleman.

_Vent._ I do believe you, my good son, and thank you;
For 'twere an impudence to think you flattered.

_Hum._ It were, indeed; but shall I tell you why?
I have been beaten twice about the lie.

_Vent._ Well, son, no more of compliment. My daughter
Is yours again: appoint the time and take her;                        21
We'll have no stealing for it; I myself
And some few of our friends will see you married.

_Hum._ I would you would, i'faith! for, be it known,
I ever was afraid to lie alone.

_Vent._ Some three days hence, then.

_Hum._ Three days! let me see:
'Tis somewhat of the most; yet I agree,
Because I mean against the appointed day
To visit all my friends in new array.

    _Enter Servant._

_Serv._ Sir, there's a gentlewoman without would speak                30
with your worship.

_Vent._ What is she?

_Serv._ Sir, I asked her not.

_Vent._ Bid her come in.                 [_Exit Servant._

    _Enter Mistress Merrythought and Michael._

_Mist. Mer._ Peace be to your worship! I come as a
poor suitor to you, sir, in the behalf of this child.

_Vent._ Are you not wife to Merrythought?

_Mist. Mer._ Yes, truly. Would I had ne'er seen
his eyes! he has undone me and himself and his
children; and there he lives at home, and sings                       40
and hoits and revels among his drunken companions!
but, I warrant you, where to get a penny
to put bread in his mouth he knows not: and
therefore, if it like your worship, I would entreat
your letter to the honest host of the Bell
in Waltham, that I may place my child under
the protection of his tapster, in some settled
course of life.

_Vent._ I'm glad the heavens have heard my prayers. Thy husband,
When I was ripe in sorrows, laughed at me;                            50
Thy son, like an unthankful wretch, I having
Redeemed him from his fall, and made him mine,
To show his love again, first stole my daughter,
Then wronged this gentleman, and, last of all,
Gave me that grief had almost brought me down
Unto my grave, had not a stronger hand
Relieved my sorrows. Go, and weep as I did,
And be unpitied; for I here profess
An everlasting hate to all thy name.

_Mist. Mer._ Will you so, sir? how say you by                         60
that?--Come, Mick; let him keep his wind
to cool his pottage. We'll go to thy nurse's,
Mick: she knits silk stockings, boy; and we'll
knit too, boy, and be beholding to none of
them all.                           [_Exit with Michael._

    _Enter Boy._

_Boy._ Sir, I take it you are the master of this house.

_Vent._ How then, boy!

_Boy._ Then to yourself, sir, comes this letter.
                                         [_Gives letter._

_Vent._ From whom, my pretty boy?

_Boy._ From him that was your servant; but no more                    70
Shall that name ever be, for he is dead:
Grief of your purchased anger broke his heart.
I saw him die, and from his hand received
This paper, with a charge to bring it hither:
Read it, and satisfy yourself in all.

_Vent._ [_Reads._] Sir, that I have wronged your love
I must confess; in which I have purchased
to myself, besides mine own undoing, the ill
opinion of my friends. Let not your anger,
good sir, outlive me, but suffer me to rest in                        80
peace with your forgiveness: let my body (if
a dying man may so much prevail with you)
be brought to your daughter, that she may
truly know my hot flames are now buried, and
withal receive a testimony of the zeal I bore
her virtue. Farewell for ever, and be ever
happy!                               JASPER.

God's hand is great in this: I do forgive him;
Yet I am glad he's quiet, where I hope
He will not bite again.--Boy, bring the body,                         90
And let him have his will, if that be all.

_Boy._ 'Tis here without, sir.

_Vent._ So, sir; if you please,
You may conduct it in; I do not fear it.

_Hum._ I'll be your usher, boy; for, though I say it,
He owed me something once, and well did pay it.
                                               [_Exeunt._


Scene IV.

_Another Room in the House of Venturewell._

    _Enter Luce._


_Luce._ If there be any punishment inflicted
Upon the miserable, more than yet I feel,
Let it together seize me, and at once
Press down my soul! I cannot bear the pain
Of these delaying tortures.--Thou that art
The end of all, and the sweet rest of all,
Come, come, oh, Death! bring me to thy peace,
And blot out all the memory I nourish
Both of my father and my cruel friend!--
Oh, wretched maid, still living to be wretched,                       10
To be a say to Fortune in her changes,
And grow to number times and woes together!
How happy had I been, if, being born,
My grave had been my cradle!

    _Enter Servant._

_Serv._ By your leave,
Young mistress; here's a boy hath brought a coffin:
What 'a would say, I know not; but your father
Charged me to give you notice. Here they come.
                                                 [_Exit._

    _Enter Boy, and two Men bearing a Coffin._

_Luce._ For me I hope 'tis come, and 'tis most welcome.

_Boy._ Fair mistress, let me not add greater grief
To that great store you have already. Jasper                          20
(That whilst he lived was yours, now dead
And here enclosed) commanded me to bring
His body hither, and to crave a tear
From those fair eyes, (though he deserved not pity,)
To deck his funeral; for so he bid me
Tell her for whom he died.

_Luce._ He shall have many.--
Good friends, depart a little, whilst I take
My leave of this dead man, that once I loved.
                                   [_Exeunt Boy and Men._

Hold yet a little, life! and then I give thee
To thy first heavenly being. Oh, my friend!                           30
Hast thou deceived me thus, and got before me?
I shall not long be after. But, believe me,
Thou wert too cruel, Jasper, 'gainst thyself,
In punishing the fault I could have pardoned,
With so untimely death: thou didst not wrong me,
But ever wert most kind, most true, most loving;
And I the most unkind, most false, most cruel!
Didst thou but ask a tear? I'll give thee all,
Even all my eyes can pour down, all my sighs,
And all myself, before thou goest from me:                            40
These are but sparing rites; but if thy soul
Be yet about this place, and can behold
And see what I prepare to deck thee with,
It shall go up, borne on the wings of peace,
And satisfied. First will I sing thy dirge,
Then kiss thy pale lips, and then die myself,
And fill one coffin and one grave together.     [_Sings._

  Come, you whose loves are dead,
      And, whiles I sing,
      Weep, and wring                                                 50
  Every hand, and every head
  Bind with cypress and sad yew;
  Ribands black and candles blue
  For him that was of men most true!

  Come with heavy moaning,
      And on his grave
      Let him have
  Sacrifice of sighs and groaning;
  Let him have fair flowers enow,
  White and purple, green and yellow,                                 60
  For him that was of men most true!

Thou sable cloth, sad cover of my joys,
I lift thee up, and thus I meet with death.

                    [_Removes the Cloth, and Jasper rises
                                      out of the Coffin._

_Jasp._ And thus you meet the living.

_Luce._ Save me, Heaven!

_Jasp._ Nay, do not fly me, fair: I am no spirit:
Look better on me; do you know me yet?

_Luce._ Oh, thou dear shadow of my friend!

_Jasp._ Dear substance;
I swear I am no shadow; feel my hand,
It is the same it was; I am your Jasper,
Your Jasper that's yet living, and yet loving.                        70
Pardon my rash attempt, my foolish proof
I put in practice of your constancy;
For sooner should my sword have drunk my blood,
And set my soul at liberty, than drawn
The least drop from that body: for which boldness
Doom me to any thing; if death, I take it,
And willingly.

_Luce._ This death I'll give you for it;   [_Kisses him._
So, now I am satisfied you are no spirit,
But my own truest, truest, truest friend:
Why do you come thus to me?                                           80

_Jasp._ First, to see you;
Then to convey you hence.

_Luce._ It cannot be;
For I am locked up here, and watched at all hours,
That 'tis impossible for me to scape.

_Jasp._ Nothing more possible. Within this coffin
Do you convey yourself: let me alone,
I have the wits of twenty men about me;
Only I crave the shelter of your closet
A little, and then fear me not. Creep in,
That they may presently convey you hence:
Fear nothing, dearest love; I'll be your second;                      90

               [_Luce lies down in the Coffin, and Jasper
                              covers her with the cloth._

Lie close: so; all goes well yet.--Boy!

    _Re-enter Boy and Men._

_Boy._ At hand, sir.

_Jasp._ Convey away the coffin, and be wary.

_Boy._ 'Tis done already.  [_Exeunt Men with the Coffin._

_Jasp._ Now must I go conjure.     [_Exit into a Closet._

    _Enter Venturewell._

_Vent._ Boy, boy!

_Boy._ Your servant, sir.

_Vent._ Do me this kindness, boy; (hold, here's a crown;)
Before thou bury the body of this fellow,
Carry it to his old merry father, and salute him
From me, and bid him sing; he hath cause.

_Boy._ I will, sir.

_Vent._ And then bring me word what tune he is in,                   100
And have another crown; but do it truly.
I have fitted him a bargain now will vex him.

_Boy._ God bless your worship's health, sir!

_Vent._ Farewell, boy!               [_Exeunt severally._


Scene V.

_A Street before Merrythought's House._

    _Enter Merrythought._


[_Wife._ Ah, old Merrythought, art thou there again?
let's hear some of thy songs.]

_Mer._ [_Sings._]

  Who can sing a merrier note
  Than he that cannot change a groat?

Not a denier left, and yet my heart leaps: I do
wonder yet, as old as I am, that any man will
follow a trade, or serve, that may sing and laugh,
and walk the streets. My wife and both my
sons are I know not where; I have nothing
left, nor know I how to come by meat to supper;                       10
yet am I merry still, for I know I shall find it
upon the table at six o'clock; therefore, hang
thought!                                        [_Sings._

  I would not be a serving-man
    To carry the cloak-bag still,
  Nor would I be a falconer
    The greedy hawks to fill;
  But I would be in a good house,
    And have a good master too;
  But I would eat and drink of the best,                              20
    And no work would I do.

This it is that keeps life and soul together,
mirth; this is the philosopher's stone that they
write so much on, that keeps a man ever
young.

    _Enter Boy._

_Boy._ Sir, they say they know all your money is
gone, and they will trust you for no more drink.

_Mer._ Will they not? let 'em choose! The best is,
I have mirth at home, and need not send abroad
for that; let them keep their drink to themselves.                    30
                                                [_Sings._

  For Julian of Berry, she dwells on a hill,
  And she hath good beer and ale to sell,
  And of good fellows she thinks no ill;
      And thither will we go now, now, now,
      And thither will we go now.

  And when you have made a little stay,
  You need not ask what is to pay,
  But kiss your hostess, and go your way;
      And thither will we go now, now, now,                           40
      And thither will we go now.

    _Enter another Boy._

_2nd Boy._ Sir, I can get no bread for supper.

_Mer._ Hang bread and supper! let's preserve our
mirth, and we shall never feel hunger, I'll
warrant you. Let's have a catch, boys;
follow me, come.                            [_They sing._

      Ho, ho, nobody at home!
  Meat, nor drink, nor money ha' we none.
      Fill the pot, Eedy,
      Never more need I.                                              50

_Mer._ So, boys; enough. Follow me: Let's change
our place, and we shall laugh afresh.          [_Exeunt._

[_Wife._ Let him go, George; 'a shall not have any
countenance from us, nor a good word from
any i' the company, if I may strike stroke
in't.

_Cit._ No more 'a sha'not, love. But, Nell, I will
have Ralph do a very notable matter now, to
the eternal honour and glory of all grocers.--
Sirrah! you there, boy! Can none of you                               60
hear?

    _Enter Boy._

_Boy._ Sir, your pleasure?

_Cit._ Let Ralph come out on May-day in the morning,
and speak upon a conduit, with all his
scarfs about him, and his feathers, and his rings,
and his knacks.

_Boy._ Why, sir, you do not think of our plot; what
will become of that, then?

_Cit._ Why, sir, I care not what become on't: I'll
have him come out, or I'll fetch him out myself;                      70
I'll have something done in honour of
the city: besides, he hath been long enough
upon adventures. Bring him out quickly; or,
if I come in amongst you----

_Boy._ Well, sir, he shall come out, but if our play
miscarry, sir, you are like to pay for't.

_Cit._ Bring him away then!                  [_Exit Boy._

_Wife._ This will be brave, i'faith! George, shall
not he dance the morris too, for the credit of
the Strand?                                                           80

_Cit._ No, sweetheart, it will be too much for the boy.
Oh, there he is, Nell! he's reasonable well in
reparel: but he has not rings enough.]

    _Enter Ralph, dressed as a May-lord._

_Ralph._ London, to thee I do present the merry month of May;
Let each true subject be content to hear me what I say:
For from the top of conduit-head, as plainly may appear,
I will both tell my name to you, and wherefore I came here.
My name is Ralph, by due descent though not ignoble I
Yet far inferior to the stock of gracious grocery;
And by the common counsel of my fellows in the Strand,                90
With gilded staff and crossèd scarf, the May-lord here I stand.
Rejoice, oh, English hearts, rejoice! rejoice, oh, lovers dear!
Rejoice, oh, city, town, and country! rejoice, eke every shere!
For now the fragrant flowers do spring and sprout in seemly sort,
The little birds do sit and sing, the lambs do make fine sport;
And now the birchen-tree doth bud, that makes the schoolboy cry;
The morris rings, while hobby-horse doth foot it feateously;
The lords and ladies now abroad, for their disport and play,
Do kiss sometimes upon the grass, and sometimes in the hay;
Now butter with a leaf of sage is good to purge the blood;           100
Fly Venus and phlebotomy, for they are neither good;
Now little fish on tender stone begin to cast their bellies,
And sluggish snails, that erst were mewed, do creep out of their shellies;
The rumbling rivers now do warm, for little boys to paddle;
The sturdy steed now goes to grass, and up they hang his saddle;
The heavy hart, the bellowing buck, the rascal, and the pricket,
Are now among the yeoman's peas, and leave the fearful thicket:
And be like them, oh, you, I say, of this same noble town,
And lift aloft your velvet heads, and slipping off your gown,
With bells on legs, and napkins clean unto your shoulders tied,      110
With scarfs and garters as you please, and "Hey for our town!" cried.
March out, and show your willing minds, by twenty and by twenty,
To Hogsdon or to Newington, where ale and cakes are plenty;
And let it ne'er be said for shame, that we the youths of London
Lay thrumming of our caps at home, and left our custom undone.
Up, then, I say, both young and old, both man and maid a-maying,
With drums, and guns that bounce aloud, and merry tabor playing!
Which to prolong, God save our king, and send his country peace,
And root out treason from the land! and so, my friends, I cease.
                                                 [_Exit._




Act Fifth.


Scene I.

_A Room in the House of Venturewell._

    _Enter Venturewell._


_Vent._ I will have no great store of company at the
wedding; a couple of neighbours and their
wives; and we will have a capon in stewed
broth, with marrow, and a good piece of beef
stuck with rosemary.

    _Enter Jasper, with his Face mealed._

_Jasp._ Forbear thy pains, fond man! it is too late.

_Vent._ Heaven bless me! Jasper!

_Jasp._ Ay, I am his ghost,
Whom thou hast injured for his constant love;
Fond worldly wretch! who dost not understand                          10
In death that true hearts cannot parted be.
First know, thy daughter is quite borne away
On wings of angels, through the liquid air,
To far out of thy reach, and never more
Shalt thou behold her face: but she and I
Will in another world enjoy our loves;
Where neither father's anger, poverty,
Nor any cross that troubles earthly men,
Shall make us sever our united hearts.
And never shalt thou sit or be alone                                  20
In any place, but I will visit thee
With ghastly looks, and put into thy mind
The great offences which thou didst to me:
When thou art at thy table with thy friends,
Merry in heart, and filled with swelling wine,
I'll come in midst of all thy pride and mirth,
Invisible to all men but thyself,
And whisper such a sad tale in thine ear
Shall make thee let the cup fall from thy hand,
And stand as mute and pale as death itself.                           30

_Vent._ Forgive me, Jasper! Oh, what might I do,
Tell me, to satisfy thy troubled ghost?

_Jasp._ There is no means; too late thou think'st of this.

_Vent._ But tell me what were best for me to do?

_Jasp._ Repent thy deed, and satisfy my father,
And beat fond Humphrey out of thy doors.         [_Exit._

[_Wife._ Look, George; his very ghost would have
folks beaten.]

    _Enter Humphrey._

_Hum._ Father, my bride is gone, fair Mistress Luce:                  39
My soul's the fount of vengeance, mischief's sluice.

_Vent._ Hence, fool, out of my sight with thy fond passion!
Thou hast undone me.                        [_Beats him._

_Hum._ Hold, my father dear,
For Luce thy daughter's sake, that had no peer!

_Vent._ Thy father, fool! there's some blows more; begone.--
                                            [_Beats him._
Jasper, I hope thy ghost be well appeased
To see thy will performed. Now will I go
To satisfy thy father for thy wrongs.  [_Aside and exit._

_Hum._ What shall I do? I have been beaten twice,
And Mistress Luce is gone. Help me, device!                           50
Since my true love is gone, I never more,
Whilst I do live, upon the sky will pore;
But in the dark will wear out my shoe-soles
In passion in Saint Faith's church under Paul's.
                                                 [_Exit._

[_Wife._ George, call Ralph hither; if you love me,
call Ralph hither: I have the bravest thing for
him to do, George; prithee, call him quickly.

_Cit._ Ralph! why, Ralph, boy!

    _Enter Ralph._

_Ralph._ Here, sir.

_Cit._ Come hither, Ralph; come to thy mistress, boy.                 60

_Wife._ Ralph, I would have thee call all the youths
together in battle-ray, with drums, and guns,
and flags, and march to Mile-End in pompous
fashion, and there exhort your soldiers to be
merry and wise, and to keep their beards from
burning, Ralph; and then skirmish, and let
your flags fly, and cry, "Kill, kill, kill!"
My husband shall lend you his jerkin, Ralph,
and there's a scarf; for the rest, the house shall
furnish you, and we'll pay for't. Do it bravely,                      70
Ralph; and think before whom you perform,
and what person you represent.

_Ralph._ I warrant you, mistress; if I do it not, for
the honour of the city and the credit of my
master, let me never hope for freedom!

_Wife._ 'Tis well spoken, i'faith. Go thy ways;
thou art a spark indeed.

_Cit._ Ralph, Ralph, double your files bravely,
Ralph!

_Ralph._ I warrant you, sir.                     [_Exit._             80

_Cit._ Let him look narrowly to his service; I shall
take him else. I was there myself a pikeman
once, in the hottest of the day, wench; had
my feather shot sheer away, the fringe of my
pike burnt off with powder, my pate broken
with a scouring-stick, and yet, I thank God,
I am here.                               [_Drums within._

_Wife._ Hark, George, the drums!

_Cit._ Ran, tan, tan, tan, tan, tan! Oh, wench, an
thou hadst but seen little Ned of Aldgate,                            90
Drum-Ned, how he made it roar again, and
laid on like a tyrant, and then struck softly till
the ward came up, and then thundered again,
and together we go! "Sa, sa, sa, bounce!"
quoth the guns; "Courage, my hearts!" quoth
the captains; "Saint George!" quoth the
pikemen; and withal, here they lay: and there
they lay: and yet for all this I am here,
wench.

_Wife._ Be thankful for it, George; for indeed 'tis                  100
wonderful.]


Scene II.

_A Street (and afterwards Mile-End)._

    _Enter Ralph and Company of Soldiers (among whom are
    William Hammerton, and George Greengoose),
    with drums and colours._


_Ralph._ March fair, my hearts! Lieutenant, beat
the rear up.--Ancient, let your colours fly;
but have a great care of the butcher's hooks at
Whitechapel; they have been the death of many
a fair ancient.--Open your files, that I may take
a view both of your persons and munition.--Sergeant,
call a muster.

_Serg._ A stand!--William Hammerton, pewterer!

_Ham._ Here, captain!

_Ralph._ A corselet and a Spanish pike; 'tis well:                    10
can you shake it with a terror?

_Ham._ I hope so, captain.

_Ralph._ Charge upon me. [_He charges on Ralph._]
--'Tis with the weakest: but more strength,
William Hammerton, more strength. As you
were again!--Proceed, Sergeant.

_Serg._ George Greengoose, poulterer!

_Green._ Here!

_Ralph._ Let me see your piece, neighbour Greengoose:
when was she shot in?                                                 20

_Green._ An't like you, master captain, I made a shot
even now, partly to scour her, and partly for
audacity.

_Ralph._ It should seem so certainly, for her breath is
yet inflamed; besides, there is a main fault in
the touch-hole, it runs and stinketh; and I tell
you moreover, and believe it, ten such touch-holes
would breed the pox in the army. Get
you a feather, neighbour, get you a feather,
sweet oil, and paper, and your piece may do                           30
well enough yet. Where's your powder?

_Green._ Here.

_Ralph._ What, in a paper! as I am a soldier and a
gentleman, it craves a martial court! you ought
to die for't. Where's your horn? answer me
to that.

_Green._ An't like you, sir, I was oblivious.

_Ralph._ It likes me not you should be so; 'tis a
shame for you, and a scandal to all our
neighbours, being a man of worth and estimation,                      40
to leave your horn behind you: I am
afraid 'twill breed example. But let me
tell you no more on't.--Stand, till I view
you all.--What's become o' the nose of your
flask?

_1st Sold._ Indeed, la, captain, 'twas blown away with
powder.

_Ralph._ Put on a new one at the city's charge.--
Where's the stone of this piece?

_2nd Sold._ The drummer took it out to light tobacco.                 50

_Ralph._ 'Tis a fault, my friend; put it in again.--
You want a nose,--and you a stone.--Sergeant,
take a note on't, for I mean to stop it in
the pay.--Remove, and march! [_They
march._] Soft and fair, gentlemen, soft and
fair! double your files! as you were! faces
about! Now, you with the sodden face, keep
in there! Look to your match, sirrah, it will
be in your fellow's flask anon. So; make a
crescent now; advance your pikes; stand and                           60
give ear!--Gentlemen, countrymen, friends,
and my fellow-soldiers, I have brought you
this day, from the shops of security and the
counters of content, to measure out in these
furious fields honour by the ell, and prowess
by the pound. Let it not, oh, let it not, I say,
be told hereafter, the noble issue of this city
fainted; but bear yourselves in this fair action
like men, valiant men, and free men! Fear
not the face of the enemy, nor the noise of the                       70
guns, for, believe me, brethren, the rude rumbling
of a brewer's cart is far more terrible, of
which you have a daily experience; neither
let the stink of powder offend you, since a
more valiant stink is nightly with you.
To a resolvèd mind his home is everywhere:
I speak not this to take away
The hope of your return; for you shall see
(I do not doubt it) and that very shortly
Your loving wives again and your sweet children,                      80
Whose care doth bear you company in baskets.
Remember, then, whose cause you have in hand,
And, like a sort of true-born scavengers,
Scour me this famous realm of enemies.
I have no more to say but this: stand to your
tacklings, lads, and show to the world you can
as well brandish a sword as shake an apron.
Saint George, and on, my hearts!

_All._ Saint George, Saint George!             [_Exeunt._

[_Wife._ 'Twas well done, Ralph! I'll send thee                       90
a cold capon a-field and a bottle of March
beer; and, it may be, come myself to see thee.

_Cit._ Nell, the boy hath deceived me much; I did
not think it had been in him. He has performed
such a matter, wench, that, if I live, next
year I'll have him captain of the galley-foist,
or I'll want my will.]


Scene III.

_A Room in Merrythought's House._

    _Enter Merrythought._


_Mer._ Yet, I thank God, I break not a wrinkle more
than I had. Not a stoop, boys? Care, live
with cats: I defy thee! My heart is as sound
as an oak; and though I want drink to wet
my whistle, I can sing;                         [_Sings._
Come no more there, boys, come no more there;
For we shall never whilst we live come any more there.

    _Enter Boy, and two Men bearing a Coffin._

_Boy._ God save you, sir!

_Mer._ It's a brave boy. Canst thou sing?

_Boy._ Yes, sir, I can sing; but 'tis not so necessary                10
at this time.

_Mer._ [_Sings._] Sing we, and chant it;
                  Whilst love doth grant it.

_Boy._ Sir, sir, if you knew what I have brought you,
you would have little list to sing.

_Mer._ [_Sings._] Oh, the Mimon round,
                Full long I have thee sought,
                  And now I have thee found,
                And what hast thou here brought?

_Boy._ A coffin, sir, and your dead son Jasper in it.                 20
                                        [_Exit with Men._

_Mer._ Dead! [_Sings._]

                 Why, farewell he!
               Thou wast a bonny boy,
                 And I did love thee.

    _Enter Jasper._

_Jasp._ Then, I pray you, sir, do so still.

_Mer._ Jasper's ghost!                          [_Sings._

Thou art welcome from Stygian lake so soon;
Declare to me what wondrous things in Pluto's court
are done.

_Jasp._ By my troth, sir, I ne'er came there; 'tis too
hot for me, sir.                                                      30

_Mer._ A merry ghost, a very merry ghost!       [_Sings._

And where is your true love? Oh, where is yours?

_Jasp._ Marry, look you, sir!

  [_Removes the cloth, and Luce rises out of the Coffin._

_Mer._ Ah, ha! art thou good at that, i'faith?  [_Sings._

  With hey, trixy, terlery-whiskin,
    The world it runs on wheels:
  When the young man's----,
    Up goes the maiden's heels.

    _Mistress Merrythought and Michael within._

_Mist. Mer._ [_within._] What, Master Merrythought!
will you not let's in? what do you think shall                        40
become of us?

_Mer._ [_Sings._]

What voice is that that calleth at our door?

_Mist. Mer._ [_within._] You know me well enough;
I am sure I have not been such a stranger to
you.

_Mer._ [_Sings._]

  And some they whistled, and some they sung,
        Hey, down, down!
    And some did loudly say,
  Ever as the Lord Barnet's horn blew,
    Away, Musgrave, away!                                             50

_Mist. Mer._ [_within._] You will not have us starve
here, will you, Master Merrythought?

_Jasp._ Nay, good sir, be persuaded; she is my mother:
If her offences have been great against you,
Let your own love remember she is yours,
And so forgive her.

_Luce._ Good Master Merrythought,
Let me entreat you; I will not be denied.

_Mist. Mer._ [_within._] Why, Master Merrythought,
will you be a vexed thing still?                                      60

_Mer._ Woman, I take you to my love again; but
you shall sing before you enter; therefore
despatch your song and so come in.

_Mist. Mer._ [_within._] Well, you must have your
will, when all's done.--Mick, what song canst
thou sing, boy?

_Mich._ [_within._] I can sing none, forsooth, but 'A
Lady's Daughter, of Paris properly,'     [_Sings within._

  It was a lady's daughter, &c.

     _Merrythought opens the Door; enter Mistress
     Merrythought and Michael._

_Mer._ Come, you're welcome home again.          [_Sings._            70

  If such danger be in playing,
    And jest must to earnest turn,
  You shall go no more a-maying----

_Vent._ [_within._] Are you within, sir? Master
Merrythought!

_Jasp._ It is my master's voice: good sir, go hold him
In talk, whilst we convey ourselves into
Some inward room.                      [_Exit with Luce._

_Mer._ What are you? are you merry?
You must be very merry, if you enter.                                 80

_Vent._ [_within._] I am, sir.

_Mer._ Sing, then.

_Vent._ [_within._] Nay, good sir, open to me.

_Mer._ Sing, I say,
Or, by the merry heart, you come not in!

_Vent._ [_within._] Well, sir, I'll sing.       [_Sings._

  Fortune, my foe, &c.

    _Merrythought opens the Door: Enter Venturewell._

_Mer._ You are welcome, sir, you are welcome: you
see your entertainment; pray you, be merry.

_Vent._ Oh, Master Merrythought, I'm come to ask you                  90
Forgiveness for the wrongs I offered you,
And your most virtuous son! they're infinite;
Yet my contrition shall be more than they:
I do confess my hardness broke his heart,
For which just Heaven hath given me punishment
More than my age can carry; his wandering spirit,
Nor yet at rest, pursues me every where,
Crying, "I'll haunt thee for thy cruelty."
My daughter, she is gone, I know not how,
Taken invisible, and whether living                                  100
Or in the grave, 'tis yet uncertain to me.
Oh, Master Merrythought, these are the weights
Will sink me to my grave! forgive me, sir.

_Mer._ Why, sir, I do forgive you; and be merry;
And if the wag in's lifetime played the knave,
Can you forgive him too?

_Vent._ With all my heart, sir.

_Mer._ Speak it again, and heartily.

_Vent._ I do, sir;
Now, by my soul, I do.                                               110

    _Re-enter Luce and Jasper._

_Mer._ [_Sings._]

  With that came out his paramour;
  She was as white as the lily flower:
            Hey, troul, troly, loly!
              With that came out her own dear knight;
              He was as true as ever did fight, &c.

Sir, if you will forgive 'em, clap their hands together;
there's no more to be said i' the matter.

_Vent._ I do, I do.

[_Cit._ I do not like this. Peace, boys! Hear me,
one of you: every body's part is come to an                          120
end but Ralph's, and he's left out.

_Boy._ 'Tis 'long of yourself, sir; we have nothing
to do with his part.

_Cit._ Ralph, come away!--Make an end on him, as
you have done of the rest, boys; come.

_Wife._ Now, good husband, let him come out and
die.

_Cit._ He shall, Nell.--Ralph, come away quickly,
and die, boy!

_Boy._ 'Twill be very unfit he should die, sir, upon                 130
no occasion--and in a comedy too.

_Cit._ Take you no care of that, sir boy; is not his
part at an end, think you, when he's dead?--
Come away, Ralph!]

    _Enter Ralph, with a forked Arrow through his Head._

_Ralph._ When I was mortal, this my costive corps
Did lap up figs and raisins in the Strand;
Where sitting, I espied a lovely dame,
Whose master wrought with lingel and with awl,
And underground he vampèd many a boot.
Straight did her love prick forth me, tender sprig,
To follow feats of arms in warlike wise                              141
Through Waltham-desert; where I did perform
Many achievements, and did lay on ground
Huge Barbarossa, that insulting giant,
And all his captives soon set at liberty.
Then honour pricked me from my native soil
Into Moldavia, where I gained the love
Of Pompiona, his belovèd daughter;
But yet proved constant to the black thumbed maid
Susan, and scornèd Pompiona's love;                                  150
Yet liberal I was, and gave her pins,
And money for her father's officers.
I then returnèd home, and thrust myself
In action, and by all men chosen was
Lord of the May, where I did flourish it,
With scarfs and rings, and posy in my hand.
After this action I preferrèd was,
And chosen city-captain at Mile-End,
With hat and feather, and with leading-staff,
And trained my men, and brought them all off clear,
Save one man that berayed him with the noise.                        161
But all these things I Ralph did undertake
Only for my belovèd Susan's sake.
Then coming home, and sitting in my shop
With apron blue, Death came into my stall
To cheapen _aquavitæ_; but ere I
Could take the bottle down and fill a taste,
Death caught a pound of pepper in his hand,
And sprinkled all my face and body o'er
And in an instant vanishèd away.                                     170

[_Cit._ 'Tis a pretty fiction, i'faith.]

_Ralph._ Then took I up my bow and shaft in hand,
And walked into Moorfields to cool myself:
But there grim cruel Death met me again,
And shot this forkèd arrow through my head;
And now I faint; therefore be warned by me,
My fellows every one, of forkèd heads!
Farewell, all you good boys in merry London!
Ne'er shall we more upon Shrove-Tuesday meet,
And pluck down houses of iniquity;--                                 180
My pain increaseth;--I shall never more
Hold open, whilst another pumps both legs,
Nor daub a satin gown with rotten eggs;
Set up a stake, oh, never more I shall!
I die! fly, fly, my soul, to Grocers' Hall!
Oh, oh, oh, &c.

[_Wife._ Well said, Ralph! do your obeisance to
the gentlemen, and go your ways: well said,
Ralph!]         [_Ralph rises, makes obeisance, and exit_

_Mer._ Methinks all we, thus kindly and unexpectedly                 190
reconciled, should not depart without a song.

_Vent._ A good motion.

_Mer._ Strike up, then!

  SONG.

  Better music ne'er was known
  Than a quire of hearts in one.
  Let each other, that hath been
  Troubled with the gall or spleen,
  Learn of us to keep his brow
  Smooth and plain, as ours are now:
  Sing, though before the hour of dying;                             200
  He shall rise, and then be crying,
  "Hey, ho, 'tis nought but mirth
  That keeps the body from the earth!"
                                               [_Exeunt._

_Cit._ Come, Nell, shall we go? the play's done.

_Wife._ Nay, by my faith, George, I have more
manners than so; I'll speak to these gentlemen
first.--I thank you all, gentlemen, for your
patience and countenance to Ralph, a poor
fatherless child; and if I might see you at my
house, it should go hard but I would have a                          210
bottle of wine and a pipe of tobacco for you:
for, truly, I hope you do like the youth, but I
would be glad to know the truth; I refer it to
your own discretions, whether you will applaud
him or no; for I will wink, and whilst you
shall do what you will. I thank you with all
my heart. God give you good night!--Come,
George.                                        [_Exeunt._




Glossary.


  A', on, in; _passim_.
  A', he; _passim_.
  ABLE, vigorous, active; III. i. 20.
  ABY, pay, atone for; III. iv. 28.
  ADMIRABLE, wonderful; _Induction_, 40.
  AFTER-LOVE, future love; III. i. 65.
  AN, if; _passim_.
  ANCIENT, ensign; V. ii. 2.
  AQUAVITÆ, brandy; V. iii. 166.

  BASTE, beat; II. vii. 16.
  BATE, deduct; III. ii. 25.
  BATTLE-RAY, battle-array; V. i. 62.
  BEHOLDING, beholden, indebted; III. ii. 43.
  BERAY, befoul; II. iv. 20.
  BESHREW ME, a mild imprecation; _Induction_, 71.
  BESIDES, by the side of; I. iii. 14.
  BEZZLE, squander; I. iv. 14.
  BIRDING-PIECE, fowling-piece; II. ii. 15.
  BLAZE, be resplendent, III. ii. 97.
  BLAZING BADGE, _i.e._, the burning Pestle; III. ii. 96.
  BLOW WIND IN THE TAIL OF, speak disparagingly of; _Induction_, 76.
  BORD, border, circumference; III. ii. 121.
  BOUNCE, sound; IV. v. 117.
  BIRCHEN-TREE, birch-tree; IV. v. 96.
  BUSS, kiss; II. i. 19.

  CAP, arrest; III. ii. 40.
  CARDUUS BENEDICTUS, the Blessed Thistle; III. iii. 30.
  CARE, watchful regard; I. i. 35.
  CARK, care; I. iv. 51.
  CAST THEIR CAPS AT HIM, salute him as a superior; II. iii. 39.
  CAST THEIR BELLIES, spawn; IV. v. 102.
  CHALLENGE THE WALL OF, claim seniority over; _Dedication_.
  CHIVE, see foul chive.
  CHUSE, choose; II. iii. 16.
  CLAP IN, strike in, lay siege to; I. ii. 34.
  CLOTH, the drop-scene; II. viii. 117.
  COME ALOFT, tumble about; III. v. 111.
  COMFORTABLE, comforting; II. vi. 21.
  COMMONS, common people; _Induction_, 30.
  CONDITIONS, qualities; III. v. 82.
  CONTAIN, restrain; I. ii. 26.
  CONY, a term of endearment; _Induction_, 47.
  COPY, tenure, charter; III. iv. 90.
  CORDIAL, reviving the spirits; II. i. 59.
  CORPS, living body; V. iii. 135.
  COURAGING, courageous, heroic; _Induction_, 82.
  CROSS, thwart; I. iv. 115.
  COMFREY, a healing plant; II. iv. 32.

  DELIVER, state; III. iv. 131.
  DENIER, an old French coin, the twelfth part of a halfpenny; IV. v. 5.
  DEVOIR, duty, service; II. iii. 6.
  DISTEMPERED, disordered, wild; III. i. 75.
  DO HIS LESSON, teach him; II. iv. 43.
  DRAGON'S WATER, dragon's blood, a red vegetable dye; I. iii. 55.
  DRUM, drummer-boy; V. i. 91.

  EKE, also; III. iv. 76.
  EMPERAL, emperor; II. iii. 2.
  ENTERTAIN, entertainment; II. vi. 40.
  ETTINS, giants; I. ii. 31.
  EVEN, especially, precisely; I. i. 11.

  FACTOR, agent; I. i. 15.
  FATAL SISTERS, the Fates; II. i. 31.
  FEAR, frighten; _Induction_, 85.
  FEAR ME NOT, fear not for me; IV. iv. 88; I. i. 48.
  FEATEOUSLY, nimbly; IV. v. 97.
  FEGARIES, vagaries, whimsical freaks; II. iv. 47.
  FIRE-DRAKE, fiery dragon; II. v. 48.
  FLAPPET, strip; I. iii. 53.
  FLIRT-GILL, flirt, loose woman; gill=Gillian=Juliana; IV. i. 21.
  FOND, foolish; III. iv. 10.
  FOR AND, together with; II. iii. 5.
  FOUL CHIVE HIM, evil come to him; I. iv. 104.
  FROLIC, frolicsome; III. v. 102.

  GALLEY-FOIST, Lord Mayor's barge; V. ii. 96.
  GALLOWS, gallows-bird; I. iv. 91.
  GASKINS, breeches; II. ii. 39.
  GENT, gentle; III. ii. 112.
  GENTLE, noble, nobly born; I. ii. 10.
  GIRDS, jeers, witticisms; _Induction_, 8.
  GIVE, tell; _Induction_, 123.
  GOODMAN, gaffer, familiar form of address; _Induction_, 4.
  GOODS, virtues, gifts; III. i. 69.
  GOSSIP, girl; IV. iii. 5.
  GRIMLY, grim; II. viii. 5.
  GROUTNOL, blockhead; II. vi. 54.

  HALTER-SACK, gallows-bird; I. iv. 36.
  HARNESS, armour; II. v. 35.
  HEARTY, strengthening; III. iv. 151.
  HOBBY-HORSE, one of the dancers in the old morris-dance, represented
    by the figure of a horse fastened round the waist of a man (Keltie);
    IV. v. 97.
  HOIT, revel; IV. iii. 41.
  HOLD, wager; II. ii. 144.
  HUFFING, swaggering; _Induction_, 89.

  IDLE, vain, useless; I. ii. 2.
  INDENT, agreed upon, contracted; IV. ii. 20.
  INGRANT, ingrate, ungrateful; III. v. 64.
  I-WIS, in truth; II. iv. 46.

  JACKS, worthless fellows; _Induction_, 19.
  JOY, enjoy; I. ii. 116.
  JUGGY, a familiar term of endearment, perhaps diminutive of
  Joan; III. v. 54.

  KICKSHAWS, trifling dishes; _To the Readers_.
  KIND, nature; "use him with his kind," meet him with his own weapons;
    III. v. 122; "in their kind," according to their character;
    _Induction_, 108.
  KNACKS, knick-knacks, trumpery; IV. v. 66.
  KNOT-GRASS, a weed supposed to hinder growth; II. ii. 39.

  LAME, defective, poor; I. i. 32.
  LAVOLTA, a whirling dance for two persons; III. v. 102.
  LAY, wager; II. vii. 22.
  LETS, hindrances; I. ii. 2.
  LIBERALLY, freely; I. i. 16.
  LIGHT, alight; III. iv. 94.
  LIGHT UPON, come upon, discover; III. ii. 76.
  LINGEL, shoemaker's thread; V. iii. 138.
  LIST, pleasure, desire; I. iii. 13.
  'LONG OF, along of, on account of; IV. ii. 35.
  LUNGIES, lout, lubber; II. vi. 4.

  MANFUL, manly; III. iv. 154.
  MARTIAL-COURT, court-martial; V. ii. 34.
  MAW, stomach, inclination; I. ii. 65.
  MEWED, shut up, enclosed; IV. iv. 103.
  MICKLE, much, greatly; II. iv. 16.
  MISCARRY, come to grief; II. v. 48.
  MISLIKE, disapproval; _Prologue_.
  MITHRIDATUM, an antidote against poisons; I. iii. 54.
  MITTIMUS, warrant for arrest; III. i. 93.
  MORRIS, a rustic dance of Moorish origin; IV. v. 97.
  MOUSE, a term of endearment; I. ii. 20.

  NEW-CAST, to form anew; I. i. 4.
  NICE, fastidious; _To the Readers_.
  NIPITATO, strong ale; IV. ii. 28.
  NOBLE SCIENCE, fencing; II. i. 55.
  NODDY, simpleton, fool; II. iv. 23.
  NOTABLY, excellently; _Induction_, 29.
  NUMP, blockhead; II. iv. 36.

  ON, of; II. viii. 16.
  ONLY, merely, nothing but, absolutely; III. i. 54.
  ORIGANUM, marjoram, an aromatic herb; _Prologue_.
  OR ERE, ere, before; I. iii. 128.
  OPEN HIS PIPES, cause him to speak; I. i. 76.

  PASSION, sorrow; V. i. 54.
  PEPPERNEL, a swelling; II. iv. 54.
  PERTS-UP, erects; I. ii. 23.
  PINED, tortured; III. iv. 129.
  PITCH-FIELD, field of battle; II. ii. 10.
  PLAINLY, honestly; III. iii. 25.
  POINTS, tagged laces for holding up breeches; III. v. 143.
  POMPOUS, magnificent; V. i. 63.
  POSY, motto inscribed in a ring; V. iii. 156.
  PRESENCE, personality; I. i. 32.
  PRESENT, immediate; I. iv. 156.
  PRESENTLY, forthwith; IV. iv. 89.
  PREST, ready; II. iii. 8.
  PRICK, incite; III. ii. 16.
  PRICKANT, spurring, riding; II. v. 3.
  PRICKET, a buck in its second year; IV. v. 107.
  PRICKING, riding; I. iii. 95.
  PRIVATE, secret; I. i. 29.
  PRIVATE TAXES, reproaches cast upon individuals; _Induction_, 143.
  PROPER, handsome; IV. ii. 75.
  PROSPER, bring prosperity to; III. iv. 47.
  PURCHASED, assumed, acquired; IV. iii. 72.

  QUANDARY, perplexity; I. ii. 102.
  QUELLED, slain; III. ii. 100.

  RASCAL, a lean deer; IV. v. 106.
  REBECK, a three-stringed fiddle; I. iv. 157.
  RELIEF, assistance; I. ii. 89.
  REPAREL, apparel; _Induction_, 75.
  RIDE THE WILD MARE, play at seesaw; I. iv. 162.
  RIFF-RAFF, twaddle, trash; I. iv. 169.
  RIGHT, true; I. iv. 5.

  SAD, earnest, serious; III. ii. 83.
  SAY, subject for experiments; IV. iv. 11.
  SCOTCH, cut, hack; III. iv. 85.
  SCULLER, boatman; II. vi. 27.
  SECOND, helper; IV. iv. 90.
  SET, setting; III. iv. 167.
  SHAWMS, a wind-instrument, similar in form to the hautboy or
   clarionet; _Induction_, 121.
  SHERE, shire; IV. v. 93.
  SHREWDLY, badly; II. vi. 3.
  SHUTTING, close; II. i. 16.
  SLICK, fatten; II. vi. 50.
  SMOKE, suffer; I. ii. 135.
  SNATCH, _sc._ of food; II. iv. 16.
  SNICK UP, hang; II. ii. 19.
  SODDEN, heavy, stupid; V. ii. 57.
  SOPHY, Shah of Persia; IV. i. 33.
  SORREL, a red horse; II. i. 27.
  SORT, band; V. ii. 83.
  SPANIELS, Spanish; II. ii. 11.
  SPEED, good fortune; I. i. 44.
  SPRIG, shoot, youngster; IV. i. 16.
  SPRINGALD, youngster; II. v. 47.
  STAPLES, markets; I. i. 6.
  STAY, wait for; III. i. 111.
  STILL, ever, always; _Induction_, 8.
  STONE, flint; V. ii. 49.
  STOOP, a drinking-vessel; V. iii. 2.
  STRIKE STROKE, have one's say; IV. v. 55.
  STRINGER, rake; I. ii. 36.
  STUDY FOR, devise; _Induction_, 19.
  SUFFICIENT, reliable; II. ii. 114.
  SWADDLE, swathe, beat; II. vii. 19.
  SWEETING, darling; I. iv. 129.
  SWINGE, beat; II. iv. 60.

  TACKLINGS, gear, weapons; V. ii. 86.
  TAKE IT, give way, acquiesce; III. i. 23, _cf. Hamlet_, II. ii.
  TAKE THE PEACE ON HIM, appease, conciliate him; II. iv. 56.
  TAXES, accusations; _Induction_, 143.
  THRUM, to finger; IV. v. 115.
  TILLER, cross-bow; I. ii. 59.
  TIMBER FOR TIMBER, man for man; II. iii. 42.
  TOOK, had effect; III. i. 51.
  TRAINED, wiled, allured; III. iv. 69.
  TREE, wood; I. ii. 123.
  TROUL, pass round; II. viii. 15.

  UNHAPPY, wicked; II. ii. 93.
  UNTHRIFTS, wasters, spendthrifts; IV. iii. 6.
  UNTIMELY, before the right time; III. i. 83.

  VALE, farewell; _Prologue_.
  VALIANT, powerful; V. ii. 75.
  VAMPED, patched; V. iii. 139.
  VISITED, _sc._ with the plague; I. iii. 55.

  WANION (WITH A), with a vengeance; II. ii. 112.
  WANT, fail in; V. ii. 97.
  WARD, guard; V. i. 85.
  WASTETHRIFT, spendthrift; I. iv. 10.
  WHILST, meanwhile; V. iii. 31.
  WHIPT, brocaded; I. ii. 78.
  WHITE, innocent; II. ii. 17.
  WHORESON, rascally; III. iii. 16.
  WON, dwell; III. ii. 106.

  YCLEPED, called; III. ii. 107.




_Notes._


_Dedication: Master Robert Keysar._ This dedication occurs only in the
first 4to of 1613. It gives us no definite clue to the authorship of the
play, for it speaks in the one case of its 'parents,' in the other of
its 'father.' The 'foster-father' and 'nurse' referred to are doubtless
Keysar and the publisher Burre.

_Don Quixote._ The first part of Cervantes' great romance appeared in
1605. What is alluded to here, however, is not the Spanish original, but
the English translation by John Shelton, published in 1612.

_To the Readers of this Comedy._ This Address, like the Prologue which
follows, appears in all the early editions, except the first 4to.

_The Author had no intent to wrong any one in this Comedy._ This
statement, when taken in connection with several others of a similar
character, points to the fact that 'the privy mark of irony' stamped
upon the drama had given offence at the time of its first production. In
all probability the offended persons were to be found among the class of
London citizens and apprentices.

_Prologue._ The Prologue, as Dyce pointed out, is borrowed directly from
Lyly's Court Comedy, Sapho and Phao (1584). The reference at the end to
the impersonal character of the satire is the only part of the Prologue
which is not found in Lyly. The euphuistic style is apparent throughout.

_Induction: The London Merchant._ A drama by Ford, never printed. The
MS. was one of those destroyed by Warburton's cook.

_The Legend of Whittington._ Entered on the Stationers' Books, February
8th, 1604, but never printed. Author unknown.

_The Life and Death of Sir Thomas Gresham._ The play referred to is the
Second Part of Heywood's _If you know not me you know nobody, with the
building of the Royall Exchange, and the famous victory of Queen
Elizabeth, Anno 1588._ Printed in 1606.

_The Story of Queen Eleanor._ The play in question is Peele's _Famous
Chronicle of King Edward the First_. Dyce explains the addition, _with
the rearing of London Bridge upon woolsacks_, as an added jest, and
regards in the same light the play which follows: _The Life and Death of
fat Drake_.

_Kill a lion with a pestle._ Dyce points to Heywood's _Four Prentices of
London_: "Since first I bore this shield, I quarter'd it with this Red
Lion, whom I singly once slew in the forest."

_Jane Shore._ A drama no longer extant; but referred to by Henslowe. It
is possible, however, that Heywood's _Edward IV._ is meant.

_The Bold Beauchamps._ Another lost drama, probably by Heywood; referred
to in the spurious _Second Part of Hudibras_ (1663).

_By heaven, methinks...._ This speech is copied almost verbatim from
that of Hotspur in 1 _Henry IV._, Act I. sc. iii.

_Mucedorus._ The hero of an early Elizabethan drama, entitled, _A most
pleasant Comedie of Mucedorus, the King's sonne of Valentia_. First
printed in 1598; reprinted 1606.

_Jeronimo._ A second title to 'sporting Kyd's' great drama, _The Spanish
Tragedy_, first printed in 1599.

_What stately music have you?_ Dance music with dancing was introduced
between the several acts. See the end of Act I.

I. i. 29. _She's private to herself..._ She is her own mistress, and
knows best, etc.

I. ii. 25. _Master Moncaster's scholars._ Richard Mulcaster was the
first head master of the Merchant Taylors' School. He held the post from
1561 to 1586.

I. ii. 70. _Watch of Midsummer-day at night._ This was 'an annual
military muster' of the citizens of London, led by the great
trade-companies.

I. ii. 79. _Shoot from your eye._ The early editions read 'sute.'

I. ii. 81. _F S._ Is this the tradesman's secret mark to denote the
price?

I. ii. 113. _Yet take me with you._ But hear me to the end.

I. iii. 6. _Palmerin of England._ This formed the sequel to the famous
Spanish romance of Luis Hurtado, entitled _Palmerin d'Oliva_, which
gained so wide a fame throughout Christendom. Both _Palmerin d'Oliva_
and _Palmerin of England_ were translated into English by Anthony
Munday, the former in 1588, the latter in 1596. Ralph's quotation is
from _Palmerin d'Oliva_ and not from _Palmerin of England_.

I. iii. 25. _Prince of Portigo ... Rosicleer._ Characters in a romance
of Spanish origin entitled _Espeio de Caballerias_, and translated into
English in 1579 under the title, _The Mirrour of Princely deedes and
Knighthood_.

I. iii. 31. _The giants and the ettins will come and snatch it away._
We may compare with this the behaviour of the invisible Faustus at the
feast of the Pope; Marlowe's _Doctor Faustus_ Sc. vii.

I. iii. 72. _Shall be portrayed a Burning Pestle._ Eustace in Heywood's
_Four Prentices_ bears the grocers' arms upon his shield.

I. iv. 9. _A merry heart lives long-a._ The song of Autolycus in _The
Winter's Tale_.

I. iv. 48. _Nose, nose, jolly red nose._ Taken from a song in
Ravenscroft's _Deuteromelia_, 1609.

I. iv. 69. _At eleven and six o'clock._ Dinner and supper time.

I. iv. 128. _But yet, or ere you part._ A variation of a song in
Dowland's collection of _Songs and Airs_, published in 1597.

II. ii. 10. _Mile-End ... pitchfield._ A reference to some mock fight
which took place at Mile-End in the East of London; _cf._ the ballad
entitled _The Landing of the Spaniards at Bow, with the Bloody Battle of
Mile-End_, cited in Beaumont and Fletcher's _Monsieur Thomas_ (III.
iii.).

II. iii. 2. _As he were an emperal._ First 4to reads 'an.'

II. iv. 35. _John Dory._ A popular song contained in Ravenscroft's
_Deuteromelia_, 1609.

II. v. 35. _With that he stood upright, etc._ Doubtless a quotation from
some extravagant romance of chivalry.

II. vi. 15. _You fair squire._ This is the reading of the first 4to;
later editions read 'your.'

II. vi. 44. _Where never footman, etc._ An allusion to the practice of
greasing the legs of footmen.

II vi. 46. _Hight Chamberlino._ All the early editions read 'high.'

II. vi. 52. _And never grease their teeth._ A trick adopted to prevent
the horses eating too much.

II. viii. 3. _When it was grown._ From the ballad of _Fair Margaret and
Sweet William_, contained in Percy's _Reliques_.

II. viii. 11. _I am three merry men._ Doubtless an old ballad, familiar
to Shakespeare; _cf._ "Three merry men be we" in _Twelfth Night_,
II. iii.

II. viii. 15. _Troul the black bowl._ From Ravenscroft's _Pammelia_, a
musical miscellany, published in 1609.

II. viii. 53. _As you came from Walsingham._ A ballad in Percy's
_Reliques_.

II. viii. 64. _He set her on a milk-white steed._ A narration of the
ballad entitled _The Douglas Tragedy_, included in the _Minstrelsy of
the Scottish Border_. A similar stanza is found in the ballad _The
Knight and Shepherd's Daughter_ (Percy's _Reliques_).

II. viii. 75. _Down, down they fall._ Taken from an unprinted Masque,
presented on Candlemas-night at Cole-Overton.

II. viii. 96. _Was never man for lady's sake._ A variation of the ballad
entitled _The Legend of Sir Guy_ (Percy's _Reliques_).

II. viii. 113. _Baloo._ The reference is to the song, _Lady Anne
Bothwell's Lamentation_ (Percy's _Reliques_), where the following
couplet serves as a refrain:

  "_Balow_, my babe, be stil and sleipe!
   It grieves me sair to see thee weepe."

II. viii. 114. _Lachrymae._ A tune composed by the Elizabethan musician,
Dowland.

II. viii. 122. _A Tartarian._ 'Tartarian' was a cant term for thief.

III. i. 29. _Tell me, dearest._ This song, with a third stanza added,
reappears in _The Captain_ (II. ii.)

III. i. 110. _Sir Bevis._ _Bevis of Hampton_ is the title of a famous
English medieval romance.

III. ii. 131. _Rosicleer._ See Note to I. iii.

III. ii. 133. _Palmerin Frannarco._ Characters in _Palmerin d'Oliva_.
See Note to I. iii.

III. ii. 145. _The great Dutchman._ Probably one of the two gigantic
Dutchmen referred to by Stow in his _Annals_, p. 694, ed. 1615.

III. ii. 156. _Ninivie._ The puppet-show of Ninivie, a popular
exhibition.

III. ii. 157. _Jone and the Wall._ Jonah and the Whale.

III. iv. 5. _Behold that string._ The barber at this period did the work
of barber, surgeon, and dentist. The stringing together of the extracted
teeth was a common practice, and served as an advertisement.

III. iv. 32. _Gargantua._ The hero of Rabelais' romance.

III. iv. 113. _A tub that's heated._ A form of cure for the venereal
disease.

III. iv. 137. _Turnbull Street._ A London street of very ill repute.

III. v. 32. _Go from the window._ Taken from a popular song, and again
quoted in _Monsieur Thomas_ (III. iii.). The fragment _Begone, begone,
etc._, which follows, is also from the same song.

III. v. 134. _Fading is a fine jig._ A dance which took its name from
the burden of an Irish song. _Cf._ Jonson's _Irish Masque at Court_:
"and daunsh a fading at te vedding."

IV. i. 33. _Sophy of Persia._ The reference is to a play by Day, Rowley,
and Wilkins, entitled _The Travailes of the three English Brothers, Sir
Thomas, Sir Anthony, Mr Robert Shirley_ (1607). In this play Mr Robert
Shirley marries the Sophy's daughter, and the Sophy stands as godfather
at the christening.

IV. i. 36. _Red Bull._ A play-house in St John's Street.

IV. i. 37. _George, let Ralph, etc._ The citizen's wife has in mind,
doubtless, one of the extravagantly romantic plays of the school of
Heywood.

IV. i. 56. _Sir Dagonet._ This is not, as the grocer blunderingly
supposes, a character in Heywood's _Four Prentices_, but one of the
heroes of Malory's _Morte d'Arthur_.

IV. ii. 6. _King of Moldavia._ Jonson refers to _The Prince of Moldavia_
in his _Silent Woman_ (V. i.). Moldavia is a province in northern
Roumania.

IV. iii. 62. _Pottage._ First 4to, and one of the 4to's of 1635, read
'porrage.' In the speech of George in II. vi. all read 'pottage.'

IV. v. 3. _Who can sing a merrier note._ This is taken from
Ravenscroft's _Pammelia_, 1609, the song being entitled _A Round or
Catch for ten or eleven voices_.

IV. v. 47. _Ho, ho, nobody at Home._ From Ravenscroft's _Pammelia_.

IV. v. 63. _May-day. Cf. The Four Prentices_:

  "He will not let me see a mustering,
   Nor in a May-day morning fetch in May."

For May-day customs, see Brand's _Popular Antiquities_.

IV. v. 89. _Stock._ The old editions read 'flocke.'

IV. v. 103. _Mewed._ Old editions read _mute_; altered to _mewed_ by
Sympson.

IV. v. 110. _With bells on legs and napkins clean, etc._ This was the
dress of the morris-dancers.

V. i. 63. _Mile-End._ The military training-ground for London citizens.

V. iii. 12. _Sing we and chant it._ Taken from the fourth song in
Morley's _First Booke of Ballets_, 1600.

V. iii. 46. _And some they whistled_ From the ballad of _Little
Musgrave_ and _Lady Barnard_ (Percy's _Reliques_).

V. iii. 69. _It was a lady's daughter._ From Evans' _Old Ballads_.

V. iii. 86. _Fortune, my foe._ An old ballad to which reference is again
made in _The Custom of the Country_.

V. iii. 135. _When I was mortal._ This speech of Ralph's is a parody on
that of the ghost of Andrea in Kyd's _Spanish Tragedy_, beginning:

  "When this eternal substance of my soul
   Did live imprison'd in my wanton flesh."

V. iii. 179. _Shrove-Tuesday._ In Dekker's _Seven Deadly Sinnes of
London_, 1606, we read: "They presently (like Prentices upon
Shrove-Tuesday) take the lawe into their owne handes, and doe what they
list."


THE TEMPLE PRESS, PRINTERS, LETCHWORTH




TRANSCRIBER'S NOTE

Both spelling and hyphenation are inconsistent in the original. In a
very few instances, missing punctuation has been added.

The following change was made to the text (Act V, sc. 1, lines 73 & 74):

fo the honour of the city ==> for the honour of the city

In the brief bibliography at the end of the Introduction, the German
spelling and punctuation of the second title have been corrected in
keeping with common usage and other instances in the literature.




[End of The Knight of the Burning Pestle, by Beaumont & Fletcher,
edited by F. W. Moorman]